Superfine
Tailoring Black Style
Published on 3. June 2025
Book
Hardback
372 pages
978-1-58839-799-7 (ISBN)
Description
This exploration of Black dandy fashion and its representation in art and literature highlights the vibrant, complicated legacy of a recognizable yet constantly shifting style, from its origins in Enlightenment Europe to the contemporary art and fashion worlds
Superfine: Tailoring Black Style traces the complex and vibrant legacy of menswear across three centuries of Black culture-from today's hip-hop aesthetic and popular street trends, through its use during the Harlem Renaissance and the civil rights movement as a symbol of creative and political agency, to its surprising origins as an imposed uniform for servants and enslaved people. Organized by key characteristics of dandyism that resonate across time, including presence, distinction, disguise, and respectability, this fresh interpretation of a centuries-old aesthetic draws on prominent Black voices in fashion, literature, and art-among them, Dandy Wellington, Amy Sherald, Ike Ude, and Andre 3000. Self-described dandies and high-fashion models feature in a stunning photo essay by artist Tyler Mitchell, who also contributes evocative new photography of garments by contemporary designers such as Virgil Abloh, Pharrell Williams, and Grace Wales Bonner. These works are shown alongside historical attire worn by Black luminaries including Frederick Douglass, Alexandre Dumas pere, Muhammad Ali, and Andre Leon Talley. Scholar Monica L. Miller contextualizes these objects in her text and shows how the evolution of dandy style inspired new visions of Black masculinity that use the power of clothing and dress as a means of self-expression.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(May 10-October 26, 2025)
Catalogue design by Pacific (Elizabeth Karp-Evans and Adam Turnbull)
Superfine: Tailoring Black Style traces the complex and vibrant legacy of menswear across three centuries of Black culture-from today's hip-hop aesthetic and popular street trends, through its use during the Harlem Renaissance and the civil rights movement as a symbol of creative and political agency, to its surprising origins as an imposed uniform for servants and enslaved people. Organized by key characteristics of dandyism that resonate across time, including presence, distinction, disguise, and respectability, this fresh interpretation of a centuries-old aesthetic draws on prominent Black voices in fashion, literature, and art-among them, Dandy Wellington, Amy Sherald, Ike Ude, and Andre 3000. Self-described dandies and high-fashion models feature in a stunning photo essay by artist Tyler Mitchell, who also contributes evocative new photography of garments by contemporary designers such as Virgil Abloh, Pharrell Williams, and Grace Wales Bonner. These works are shown alongside historical attire worn by Black luminaries including Frederick Douglass, Alexandre Dumas pere, Muhammad Ali, and Andre Leon Talley. Scholar Monica L. Miller contextualizes these objects in her text and shows how the evolution of dandy style inspired new visions of Black masculinity that use the power of clothing and dress as a means of self-expression.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(May 10-October 26, 2025)
Catalogue design by Pacific (Elizabeth Karp-Evans and Adam Turnbull)
More details
Language
English
Place of publication
New York
United States
Product notice
Cloth over boards
Illustrations
241 color illus.
Dimensions
Height: 320 mm
Width: 258 mm
Thickness: 45 mm
Weight
2375 gr
ISBN-13
978-1-58839-799-7 (9781588397997)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Monica L. Miller is the Guest Curator of Superfine: Tailoring Black Style and professor and chair of Africana Studies at Barnard College, Columbia University, New York. Andrew Bolton is Curator in Charge of The Costume Institute at The Metropolitan Museum of Art, New York.