
America on Record
A History of Recorded Sound
Andre Millard(Author)
Cambridge University Press
2nd Edition
Published on 5. December 2005
Book
Paperback/Softback
474 pages
978-0-521-54281-4 (ISBN)
Description
With Thomas Edison's invention of the phonograph, the beautiful music that was the preserve of the wealthy became a mass-produced consumer good, cheap enough to be available to all. In 1877 Edison dreamed that one day there would be a talking machine in every home. America on Record: A History of Recorded Sound, first published in 2006, provides a history of sound recording from the first thin sheet of tinfoil that was manipulated into retaining sound to the home recordings of rappers in the 1980s and the high-tech studios of the 1990s. This book examines the important technical developments of acoustic, electric, and digital sound reproduction while outlining the cultural impact of recorded music and movies. This second edition updates the story, describing the digital revolution of sound recording with the rise of computers, Napster, DVD, MP3, and iPod.
Reviews / Votes
'This is an excellent advertisement for an American Studies approach to past attitudes and mores that a less focused approach would lose: cultural history at its best.' HistoryMore details
Edition
2nd Revised edition
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
College/higher education
Edition type
Revised edition
Product notice
Paperback (trade)
Illustrations
41 Halftones, unspecified; 10 Line drawings, unspecified
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 28 mm
Weight
763 gr
ISBN-13
978-0-521-54281-4 (9780521542814)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
10/2005
2nd Edition
Cambridge University Press
€27.99
Available for download
Previous edition

Book
10/1995
Cambridge University Press
€28.51
Article exhausted; check for reprint
Person
Andre Millard is Director of American Studies and Professor of History at the University of Alabama at Birmingham. He is the author of Edison and the Business of Innovation and a contributor to National Public Radio's 'Lost and Found Sound'.
Content
Preface; Introduction; Part I. The Acoustic Era: 1. The inventors; 2. A phonograph in every home; 3. The international industry of recorded sound; 4. The music; 5. Recorded sound in the Jazz Age; Part II. The Electrical Era: 6. The machines; 7. Competing technologies; 8. Empires of sound; 9. Swing and the mass audience; 10. High fidelity at last; 11. Rock'n'roll and the revolution in music; 12. The record; 13. The studio; 14. Perfecting studio recording; 15. The cassette culture; Part III. The Digital Era: 16. The media conglomerates; 17. Into the digital era; 18. Consolidation and connectivity in the digital era.