
Style and Music
Theory, History, and Ideology
Leonard B. Meyer(Author)
University of Chicago Press
Published on 15. March 1997
Book
Paperback/Softback
385 pages
978-0-226-52152-7 (ISBN)
Description
In this volume Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He seeks to explore why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of 19-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into more recent times.
More details
Language
English
Place of publication
Chicago
United States
Publishing group
The University of Chicago Press
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 23 mm
Width: 17 mm
Thickness: 2 mm
Weight
652 gr
ISBN-13
978-0-226-52152-7 (9780226521527)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Content
Preface Pt. I: Theory 1: Toward a Theory of Style 2: Style Analysis Pt. II: History, Innovation, and Choice 3: Thoughts Ahout History 4: Innovation - Reasons and Sources 5: Choice and Replication Pt. III: Music and Ideology: A Sketch-History of Nineteenth-Century Music 6: Romanticism - The Ideology of Elite Egalitarians 7: Convention Disguised - Nature Affirmed 8: Syntax, Form, and Unity Epilogue: The Persistence of Romanticism Bibliography of Works Cited Index Index of Musical Examples