
The Rules of Screenwriting and Why You Should Break Them
Bill Mesce(Author)
McFarland & Co Inc (Publisher)
Published on 6. June 2017
Book
Paperback/Softback
228 pages
978-1-4766-6850-5 (ISBN)
Description
A couple of generations ago, the movie industry ran on gut instinct--film schools, audience research departments and seminars on screenwriting were not yet de rigueur. Today the standard is the analytical approach, intended to demystify filmmaking and guarantee success (or at least minimize failure). The trouble with this method is that nobody knows how to do it--they just think they do--and films are made based on models of predictability rather than the merits of the script.
This insider's look at the craft and business of screenwriting explodes some of the popular myths, demonstrating how little relevance the rules have to actual filmmaking. With long experience in film and television, the author provides insightful how-not-to analyses, with commentary by such veterans as Josh Sapan (CEO of AMC Networks), bestselling author Adriana Trigiani and Oscar-nominated screenwriter Nicholas Pileggi (Goodfellas).
This insider's look at the craft and business of screenwriting explodes some of the popular myths, demonstrating how little relevance the rules have to actual filmmaking. With long experience in film and television, the author provides insightful how-not-to analyses, with commentary by such veterans as Josh Sapan (CEO of AMC Networks), bestselling author Adriana Trigiani and Oscar-nominated screenwriter Nicholas Pileggi (Goodfellas).
Reviews / Votes
"impressively informed and informative, exceptionally well organized and presented...a 'must-read'...very highly recommended"-Midwest Book Review.More details
Language
English
Place of publication
Jefferson, NC
United States
Target group
Professional and scholarly
Interest Age: From 18 years
Product notice
Paperback (trade)
Illustrations
bibliography, index
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 14 mm
Weight
377 gr
ISBN-13
978-1-4766-6850-5 (9781476668505)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Bill Mesce, Jr., is an adjunct instructor at several New Jersey universities and colleges, and an author, screenwriter, and playwright. He lives in Linden, New Jersey.
Content
Table of Contents
Acknowledgments
Introduction
The Programmer: Dave Baldwin
Myth #1: The Screenwriting Guru
The Director: Rick King
The First Cut Is the Deepest: Blow Out
The Producer: Gerald W. Abrams
Myth #2: -Three-Act Structure
The Author: Steve Szilagyi
Crash Landing: Free Flight
The Academic: Dr. Benjamin Dunlap
Myth #3: Every Scene Should Move the Plot Forward
The Network Executive: Josh Sapan
Orphans: Big Phil's Kid and Surrender
The Screenwriter: Robert Conte
Myth #4: The First Ten Pages
The Triple Threat: Adriana Trigiani
Bottom Crawling: Take 2 and Pan Am Pictures
The Artistic Director: Mark Hoebee
Myth #5: Show, Don't Tell
The Film Evaluator: Youssef Kdiry
Dead End: Road Ends
The Programmer: Andrew Goldman
Myth #6: Dr. -Phil-izing Characters
The Screenwriter: Nicholas Pileggi
The Button
Bibliography
Index
Acknowledgments
Introduction
The Programmer: Dave Baldwin
Myth #1: The Screenwriting Guru
The Director: Rick King
The First Cut Is the Deepest: Blow Out
The Producer: Gerald W. Abrams
Myth #2: -Three-Act Structure
The Author: Steve Szilagyi
Crash Landing: Free Flight
The Academic: Dr. Benjamin Dunlap
Myth #3: Every Scene Should Move the Plot Forward
The Network Executive: Josh Sapan
Orphans: Big Phil's Kid and Surrender
The Screenwriter: Robert Conte
Myth #4: The First Ten Pages
The Triple Threat: Adriana Trigiani
Bottom Crawling: Take 2 and Pan Am Pictures
The Artistic Director: Mark Hoebee
Myth #5: Show, Don't Tell
The Film Evaluator: Youssef Kdiry
Dead End: Road Ends
The Programmer: Andrew Goldman
Myth #6: Dr. -Phil-izing Characters
The Screenwriter: Nicholas Pileggi
The Button
Bibliography
Index