
Daniel Defoe, Contrarian
Robert James Merrett(Author)
University of Toronto Press
3rd Edition
Published on 22. March 2013
Book
Hardback
432 pages
978-1-4426-4610-0 (ISBN)
Description
A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness.
Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.
Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.
Reviews / Votes
'Daniel Defoe, Contrarian is an impressive piece of work, closely grounded in primary sources, and scholars working with those sources will benefit from serious engagement with this study. In scope and erudition, it is a book to admire.' - Ashley Marshall (Journal of Eighteenth Century Fiction, vol 26:03:2014) 'Merrett's book does admirable justice to the complexity and artistry of Defoe as a prose writer... This study is an important contribution to Defoe scholarship and will spur future contributions.'- Nicholas Seager (Journal for Eighteenth-Century Studies, vol 38:02:2015) 'There are many excellent things about Mr. Merrett's most recent book on Defoe. He writes with a full grasp of Defoe's cannon and is not afraid of deviating from the bibliography amassed by P.N. Furbank and W.R Owens.'
- Maximillian Novak (The Scriblerian December 2015)
More details
Edition
3rd edition
Language
English
Place of publication
Toronto
Canada
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Dimensions
Height: 236 mm
Width: 164 mm
Thickness: 35 mm
Weight
781 gr
ISBN-13
978-1-4426-4610-0 (9781442646100)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Robert James Merrett is a professor in the Department of English and Film Studies at the University of Alberta.
Content
Acknowledgements
Preface
1 Contraries: Linguistic, Narrative, and Theological
2 Just Reflections
3 Serious Reflections: An Apology for Faith and Fiction
4 Biblical Allusions as Narrative Resources
5 Political Impersonations and Cultural Implications
6 Political Imaginings: Sacred and Profane
7 Marriage and Matrimony: Ideological and Fictional Contraries
8 Defoe's Imaginary: Narrative Inference, Figurative Expression, and Spiritual Cognition
Bibliography
Index
Preface
1 Contraries: Linguistic, Narrative, and Theological
2 Just Reflections
3 Serious Reflections: An Apology for Faith and Fiction
4 Biblical Allusions as Narrative Resources
5 Political Impersonations and Cultural Implications
6 Political Imaginings: Sacred and Profane
7 Marriage and Matrimony: Ideological and Fictional Contraries
8 Defoe's Imaginary: Narrative Inference, Figurative Expression, and Spiritual Cognition
Bibliography
Index