
The Archive
Charles Merewether(Editor)
MIT Press
Published on 6. December 2006
Book
Paperback/Softback
208 pages
978-0-262-63338-3 (ISBN)
Description
In the modern era, the archive--official or personal--has become the most
significant means by which historical knowledge and memory are collected, stored,
and recovered. The archive has thus emerged as a key site of inquiry in such fields
as anthropology, critical theory, history, and, especially, recent art. Traces and
testimonies of such events as World War II and ensuing conflicts, the emergence of
the postcolonial era, and the fall of communism have each provoked a reconsideration
of the authority given the archive--no longer viewed as a neutral, transparent site
of record but as a contested subject and medium in itself.This volume surveys the
full diversity of our transformed theoretical and critical notions of the
archive--as idea and as physical presence--from Freud's "mystic writing pad" to
Derrida's "archive fever"; from Christian Boltanski's first autobiographical
explorations of archival material in the 1960s to the practice of artists as various
as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in
the present.Not for sale in the UK and Europe.
significant means by which historical knowledge and memory are collected, stored,
and recovered. The archive has thus emerged as a key site of inquiry in such fields
as anthropology, critical theory, history, and, especially, recent art. Traces and
testimonies of such events as World War II and ensuing conflicts, the emergence of
the postcolonial era, and the fall of communism have each provoked a reconsideration
of the authority given the archive--no longer viewed as a neutral, transparent site
of record but as a contested subject and medium in itself.This volume surveys the
full diversity of our transformed theoretical and critical notions of the
archive--as idea and as physical presence--from Freud's "mystic writing pad" to
Derrida's "archive fever"; from Christian Boltanski's first autobiographical
explorations of archival material in the 1960s to the practice of artists as various
as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in
the present.Not for sale in the UK and Europe.
More details
Series
Language
English
Place of publication
Cambridge
United States
Publishing group
MIT Press Ltd
Target group
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 203 mm
Width: 152 mm
Thickness: 0 mm
Weight
454 gr
ISBN-13
978-0-262-63338-3 (9780262633383)
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Schweitzer Classification
Person
Charles Merewether is an art historian and writer on contemporary and
postwar art who has taught at universities in the United States, Central and South
America, and Australia. Collections Curator at the Getty Research Institute in Los
Angeles from 1994 to 2004, he is Artistic Director and Curator for the 2006 Sydney
Biennale.
postwar art who has taught at universities in the United States, Central and South
America, and Australia. Collections Curator at the Getty Research Institute in Los
Angeles from 1994 to 2004, he is Artistic Director and Curator for the 2006 Sydney
Biennale.