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The Stakes and Claims of Literary Originality
Francoise Meltzer(Author)
University of Chicago Press
Will be published approx. on 1. March 1994
Book
Hardback
179 pages
978-0-226-51975-3 (ISBN)
Description
This text examines the anxiety of origins about the literary enterprise. Using four case studies, Meltzer reveals the tenuous status of originality as a founding principle of the critical establishment. Freud, inventor of "dream work", turns a blind eye upon the dreams that were the starting point of his predecessor's - Descartes - famous methods, the one man's obsession with originality mirroring the other's fear of plagiarism. The Holocaust poet Paul Celan, whose sense of identity and place resided in his work, is devastated by a charge of plagiarism. Colette's husband Willy outdoes himself, and his "lazy" wife as well, with his enactment of literary seriousness. In each of these cases, the text shows how a threat to a writer's status as creator betrays the larger fraud of the originality myth itself.
More details
Language
English
Place of publication
Chicago
United States
Publishing group
The University of Chicago Press
Target group
College/higher education
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 223 mm
Width: 146 mm
Thickness: 21 mm
Weight
386 gr
ISBN-13
978-0-226-51975-3 (9780226519753)
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Schweitzer Classification
Person
Françoise Meltzer is the Edward Carson Waller Distinguished Service Professor at the University of Chicago, where she is also professor at the Divinity School and in the College. Meltzer is the author of five books, most recently of Seeing Double: Baudelaire's Modernity, and a co-editor of the journal Critical Inquiry.
Content
Acknowledgments Introduction 1: Freud and Descartes: Dreaming On 2: Paul Celan and the Death of the Book 3: Disappropriating Colette 4: Walter Benjamin and the Right to Acedia Conclusion Index