
Material Difference
Modernism and the Allegories of Discourse
William D. Melaney(Author)
Rodopi (Publisher)
Published on 1. January 2012
Book
Paperback/Softback
265 pages
978-90-420-3448-8 (ISBN)
Description
Material Difference: Modernism and the Allegories of Discourse argues that deconstruction can be employed in conjunction with the historically-oriented approach to cultural experience that is favored by Critical Theory. The two discourses that inform this comparative study situate Modernism between evolving traditions that begin with Hegel and Nietzsche, leading on to Adorno's commitment to philosophical aesthetics and Derrida's concern for writing (ecriture). Interrelated discussions of eight major authors, working in four different languages, are presented to show how allegorical Modernism foreshadows the possibility of cultural history. Joyce, Kafka, Malraux, Rilke, and Stevens are among the authors discussed in this book. The notion of material difference allows literature to be redefined in semiotic terms and demonstrates how the allegorical imagination mediates between art and time.
More details
Series
Language
English
Place of publication
Leiden
Netherlands
Publishing group
Brill
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 234 mm
Width: 155 mm
Thickness: 14 mm
Weight
372 gr
ISBN-13
978-90-420-3448-8 (9789042034488)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
William D. Melaney is Associate Professor in the Department of English and Comparative Literature at the American University in Cairo. He has published extensively in the fields of both modern literature and Continental philosophy. His first book, After Ontology: Literary Theory and Modernist Poetics (Albany: SUNY Press, 2001), brought together Gadamer's hermeneutics and Derrida's deconstruction in order to reread some of the key texts in Anglo-American Modernism. This early study compared both positions in order to re-examine the Modernist legacy in the work of major representatives.
Content
Acknowledgements
Introduction: Allegory and Modernist Literature
Allegories of Discourse
Benjamin and Allegory: Resituating Modernist Practices
Allegory in Adorno/Derrida: Reading Material Difference
Allegorical Prose
Joyce's Genealogies: Myth and Allegorical Criticism
Kafka's Promise: Memory and the Art of Writing
Malraux's Hope: Voices, Traces, Memorials
Andric's Resistance: Testimonies of Historical Conflict
Allegorical Poetry
Rilke's Material Semiotics: On Signs and Performativity
Eliot's Autobiographical Trace: Time and Critical Revision
Williams and Poetic Renewal: Borderlands, Exile, Return
Stevens and the Claims of Lyric: Allegory and Poetic Life
The Allegorical Imagination
A Semiotics of Reading: Literature, Language and History
Allegories of the Spirit: Modernism and Material Difference
Bibliography
Index
Introduction: Allegory and Modernist Literature
Allegories of Discourse
Benjamin and Allegory: Resituating Modernist Practices
Allegory in Adorno/Derrida: Reading Material Difference
Allegorical Prose
Joyce's Genealogies: Myth and Allegorical Criticism
Kafka's Promise: Memory and the Art of Writing
Malraux's Hope: Voices, Traces, Memorials
Andric's Resistance: Testimonies of Historical Conflict
Allegorical Poetry
Rilke's Material Semiotics: On Signs and Performativity
Eliot's Autobiographical Trace: Time and Critical Revision
Williams and Poetic Renewal: Borderlands, Exile, Return
Stevens and the Claims of Lyric: Allegory and Poetic Life
The Allegorical Imagination
A Semiotics of Reading: Literature, Language and History
Allegories of the Spirit: Modernism and Material Difference
Bibliography
Index