
The Cowboy and the Dandy
Crossing Over from Romanticism to Rock and Roll
Perry Meisel(Author)
Oxford University Press Inc
Published on 7. January 1999
Book
Hardback
166 pages
978-0-19-511817-9 (ISBN)
Description
What is rock and roll and where does it come from? In this new study of music, literature, and culture, Perry Meisel shows how rock and roll joins both Romanticism and the blues tradition by testing the boundaries they share: boundaries between freedom and irony, between country and city, between the iconic figures of cowboy (e.g. John Wayne) and dandy (e.g. Oscar Wilde). In a series of startling juxtapositions, Meisel looks at rhythm and blues, Emerson and the cowboy, urban blues, the dandy and 60's psychedelia, Willa Cather, Miles Davis, and Virginia Woolf. In the process, Meisel shows how "popular" and "high" culture are hardly fixed categories, and in fact share deep roots each vainly affects to disdain.
Reviews / Votes
...Perry Meisel's ambitious and yet playful new book...treats literary Romanticism from Shelley to Willa Cather, and Romantic rock and roll from King Curtis to the Ramones....much of this book may be 'outrageous? * but rock and roll seeks no higher praise.The Wordsworth Circle *More details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Illustrations
23 Fotos bzw. Rasterbilder
23 halftones
Dimensions
Height: 222 mm
Width: 145 mm
Thickness: 13 mm
Weight
365 gr
ISBN-13
978-0-19-511817-9 (9780195118179)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
12/1998
1st Edition
OUP eBook
€76.49
Available for download
Person
Perry Meisel is Professor of English at New York University. Over the past 25 years he has written about both Romantic literature and rock and roll music, the first as the author of The Myth of the Modern, The Absent Father: Virginia Woolf and Walter Pater, and Thomas Hardy: The Return of the Repressed; the second as critic and reviewer for The Village Voice, Crawdaddy, and The Boston Phoenix.
He is also editor of Freud: A Collection of Critical Essays, and coeditor of Bloomsbury/Freud: The Letters of James and Alix Strachey, 1924- 25.
He is also editor of Freud: A Collection of Critical Essays, and coeditor of Bloomsbury/Freud: The Letters of James and Alix Strachey, 1924- 25.
Content
1: The Country and the City
2: Wilde West
3: Influence and Originality in the Blues tradition
4: The Psychedelic Sublime
5: "I Second that Emotion"
6: Willa Cather and the Art of the "Cross Stitch"
7: Miles Apart?
8: Virginia Woolf's Crosswriting
9: The Body English
A Coda on Canonicity and Mythology
2: Wilde West
3: Influence and Originality in the Blues tradition
4: The Psychedelic Sublime
5: "I Second that Emotion"
6: Willa Cather and the Art of the "Cross Stitch"
7: Miles Apart?
8: Virginia Woolf's Crosswriting
9: The Body English
A Coda on Canonicity and Mythology