
Loverly
The Life and Times of My Fair Lady
Dominic Mchugh(Author)
Oxford University Press Inc
1st Edition
Published on 19. July 2012
Book
Hardback
288 pages
978-0-19-982730-5 (ISBN)
Description
Few musicals have had the impact of Lerner and Loewe's timeless classic "My Fair Lady." Sitting in the middle of an era dominated by such seminal figures as Rodgers and Hammerstein, Frank Loesser, and Leonard Bernstein, "My Fair Lady" not only enjoyed critical success similar to that of its rivals but also had by far the longest run of a Broadway musical up to that time. It remains a staple of the musical theater canon today, an oft-staged show in national, regional, and high school theaters across the country.
Using previously-unpublished documents, Dominic McHugh presents a completely new behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into the making of this beloved show. Two detailed chapters describe the show's tortured journey to Broadway, in which Lerner and Loewe were just one of many creative teams trying to turn Shaw's Pygmalion into a musical. A further chapter examines Lerner's different drafts of the script and demonstrates how he managed to retain Shaw's style and meanings while adding layers of his own and finding ways to set some of the scenes to song. Three other chapters go into unprecedented detail about the writing of the score, while the final chapters examine the show's legacy on the stage and in print. Overall, the book helps readers understand what makes this such a special musical.
Using previously-unpublished documents, Dominic McHugh presents a completely new behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into the making of this beloved show. Two detailed chapters describe the show's tortured journey to Broadway, in which Lerner and Loewe were just one of many creative teams trying to turn Shaw's Pygmalion into a musical. A further chapter examines Lerner's different drafts of the script and demonstrates how he managed to retain Shaw's style and meanings while adding layers of his own and finding ways to set some of the scenes to song. Three other chapters go into unprecedented detail about the writing of the score, while the final chapters examine the show's legacy on the stage and in print. Overall, the book helps readers understand what makes this such a special musical.
Reviews / Votes
There has been a welcome growth in the study of famous Broadway musicals and Dominic McHugh's Loverly is an important and absorbing addition to the literature. It is rooted in an impressively detailed consideration of the sources but wears its scholarship lightly and engagingly ... This beautifully written and scrupulously researched book deserves the warmest possible recommendation and it's essential reading for anyone with a serious interest in Broadway musicals. * Nigel Simeone, International Record Review *More details
Series
Language
English
Place of publication
New York
United States
Target group
All readers interested in musicals, theatre generally, mid-twentieth-century society, George Bernard Shaw, literature and film. As a rounded depiction of an important and popular show, it will make a useful course book for students and instructors in musical theater history.
Illustrations
35 music examples
10 photographs and 35 music examples
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 21 mm
Weight
648 gr
ISBN-13
978-0-19-982730-5 (9780199827305)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
05/2014
Oxford University Press Inc
€50.10
Shipment within 15-20 days

E-Book
06/2012
1st Edition
OUP eBook
€22.99
Available for download

E-Book
06/2012
1st Edition
OUP eBook
€22.99
Available for download
Person
Dominic McHugh is Lecturer in Music at The University of Sheffield
Author
Lecturer in MusicLecturer in Music, University of Sheffield, Sheffield, United Kingdom
Content
CONTENTS ; Chapter 1: False Starts and Artistic Promise ; Chapter 2: From Page to Stage: The Genesis of My Fair Lady ; Chapter 3: Shavian But Not Shaw: Developing the Script of My Fair Lady ; Chapter 4: Knowing the Score ; Chapter 5: Settling the Score: Part I ; Chapter 6: Settling the Score: Part II ; Chapter 7: My Fair Lady On Stage ; Chapter 8: The Legacy of My Fair Lady ; Appendix 1: "Without You" (early versions) ; Appendix 2: "Why Can't the English?" ; Appendix 3: "On the Street Where You Live" ; Appendix 4: Cut material from "The Ascot Gavotte" ; Appendix 5: "You Did It": Cut passage ; Bibliography ; Index