
Middle English Romance and the Craft of Memory
Jamie McKinstry(Author)
D.S. Brewer (Publisher)
Published on 15. October 2015
Book
Hardback
289 pages
978-1-84384-417-4 (ISBN)
Description
An examination of the depiction and function of memory in a variety of romances, including Troilus and Criseyde and Sir Gawain and the Green Knight.
In Middle English romances many memories are created, stored, forgotten, and rediscovered by both the characters and audience; such memory work is not, however, either simple or obvious. This study examines the ways in which recollection is achieved and sustained through physical, cognitive, and interpretative challenges. It uses examples such as Sir Gawain and the Green Knight, Sir Orfeo, and Emare, alongside romances by Chaucer and Malory,to investigate the genre's reliance on individual and collective memorial processes. The author argues that a tale's objects, places, dreams, discoveries, disguises, prophecies, and dramatic ironies influence that romance's essential memory work, which relies as much on creativity as it does accuracy. He also explores the imaginative crafts of memory that are employed by romances themselves.
Dr Jamie McKinstry teaches in the Department of English Studies at Durham University, where he is a member of the Institute of Medieval and Early Modern Studies.
In Middle English romances many memories are created, stored, forgotten, and rediscovered by both the characters and audience; such memory work is not, however, either simple or obvious. This study examines the ways in which recollection is achieved and sustained through physical, cognitive, and interpretative challenges. It uses examples such as Sir Gawain and the Green Knight, Sir Orfeo, and Emare, alongside romances by Chaucer and Malory,to investigate the genre's reliance on individual and collective memorial processes. The author argues that a tale's objects, places, dreams, discoveries, disguises, prophecies, and dramatic ironies influence that romance's essential memory work, which relies as much on creativity as it does accuracy. He also explores the imaginative crafts of memory that are employed by romances themselves.
Dr Jamie McKinstry teaches in the Department of English Studies at Durham University, where he is a member of the Institute of Medieval and Early Modern Studies.
Reviews / Votes
[E]xhaustively researched, highly original . . . [D]eserves praise for breaking new ground and for incorporating-generously, skillfully, and without any apparent bias against older or less 'theoretical' scholarship-a vast array of secondary literature about the many texts that it studies. * JOURNAL OF ENGLISH AND GERMANIC PHILOLOGY * Will appeal as much to those seeking a thematic survey of late-medieval romance themes as to those seeking a wide-ranging analysis of medieval understandings of memory. * REVIEW OF ENGLISH STUDIES * McKinstry tackles the ambitious scope of this book elegantly. His argument is extremely convincing, and his conclusion leaves the reader with an awareness of the possibilities available in romance studies through the lens of memory. * COMITATUS * McKinstry explores connective, interpretive, structural, and symbolic functions of memory in medieval Romance. . . . [H]is research is excellent and he offers many fresh, innovative readings of canonical medieval Romances. Recommended. * CHOICE *More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 20 mm
Weight
602 gr
ISBN-13
978-1-84384-417-4 (9781843844174)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Tutor, Department of English Studies and Member, Institute of Medieval and Early Modern Studies, Durham University, UK.
Content
Introduction: Memories of Romance
Medieval Memories: Sight, Thought, and Journey
Topography, Redaction, and Inheritance:The Initial Steps of Memory
Past Rituals and Present 'Forests': The Craft of Memory
Trusting Memory in Romance
Failed Memories: Forgetting, Lying, Obstructing
The Memory of Change: 'he that had hadde'
Unforgettable or (Un)fortunate Romance
Conclusions: Lessons in Romance Remembering
Bibliography
Medieval Memories: Sight, Thought, and Journey
Topography, Redaction, and Inheritance:The Initial Steps of Memory
Past Rituals and Present 'Forests': The Craft of Memory
Trusting Memory in Romance
Failed Memories: Forgetting, Lying, Obstructing
The Memory of Change: 'he that had hadde'
Unforgettable or (Un)fortunate Romance
Conclusions: Lessons in Romance Remembering
Bibliography