
The Vision of Rome in Late Renaissance France
Margaret M. McGowan(Author)
Yale University Press
Published on 10. November 2000
Book
Hardback
476 pages
978-0-300-08535-8 (ISBN)
Description
The extraordinary richness of ancient Rome was a recurring inspiration to writers, artists, scholars, and architects in sixteenth-century France. This engrossing book explores the ways in which the perception of Rome as a physical and symbolic entity stimulated intellectual endeavor across the disciplines.
Examining work by writers such as Du Bellay, Grevin, Montaigne, and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, Margaret McGowan shows how they drew upon classical ruins and upon their reconstruction not only to reenact past meanings and achievements but also, more dynamically, to interpret the present. She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book--perception, impediments to seeing, and artistic transformation--to the end of the sixteenth century, when, she claims, they culminated in the transfer to France of the grandeur that was Rome.
Examining work by writers such as Du Bellay, Grevin, Montaigne, and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, Margaret McGowan shows how they drew upon classical ruins and upon their reconstruction not only to reenact past meanings and achievements but also, more dynamically, to interpret the present. She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book--perception, impediments to seeing, and artistic transformation--to the end of the sixteenth century, when, she claims, they culminated in the transfer to France of the grandeur that was Rome.
More details
Language
English
Place of publication
United States
Target group
College/higher education
Professional and scholarly
Product notice
Cloth over boards
Illustrations
90 b-w + 4 color illus.
Dimensions
Height: 254 mm
Width: 178 mm
Weight
36 gr
ISBN-13
978-0-300-08535-8 (9780300085358)
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Schweitzer Classification
Person
Fellow and former vice-president of the British Academy, Margaret M. McGowan is research professor of French at the University of Sussex, where she was senior pro-vice-chancellor.