
Commemorative Acts
French Theatre and the Memory of the Great War
Susan McCready(Author)
University of Toronto Press
Will be published approx. on 7. November 2025
Book
Hardback
194 pages
978-1-4875-6409-4 (ISBN)
Description
In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten.
The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture.
The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture.
More details
Series
Language
English
Place of publication
Toronto
Canada
Target group
College/higher education
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 232 mm
Width: 154 mm
Thickness: 20 mm
Weight
363 gr
ISBN-13
978-1-4875-6409-4 (9781487564094)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Susan McCready is a professor of French and the co-director of the Center for the Study of War and Memory at the University of South Alabama.
Content
Acknowledgments
Introduction: Broadening the Scope of Great War Memory
1. Coming to Terms with Memory: French War Theatre to 1928
2. Displacements: French War Theatre 1928 to 1937
3. Bearing Witness: Experience and Illusion in Interwar Theatre
4. Classical Form and Modernist Fracture in Interwar Theatre
Conclusion: The Ongoing Work of Memory
War Plays Appendix
Notes
Bibliography
Index
Introduction: Broadening the Scope of Great War Memory
1. Coming to Terms with Memory: French War Theatre to 1928
2. Displacements: French War Theatre 1928 to 1937
3. Bearing Witness: Experience and Illusion in Interwar Theatre
4. Classical Form and Modernist Fracture in Interwar Theatre
Conclusion: The Ongoing Work of Memory
War Plays Appendix
Notes
Bibliography
Index