
Teaching Cultural Dexterity in Creative Writing
Micah McCrary(Author)
Bloomsbury Academic (Publisher)
Published on 28. November 2024
Book
Paperback/Softback
208 pages
978-1-350-23717-9 (ISBN)
Description
Aimed toward graduate student instructors and other creative writing educators, Teaching Cultural Dexterity in Creative Writing offers a formula for important changes in creative writing instruction-especially in literary/creative nonfiction, probing how instruction might become more inclusive and accessible for minoritized/marginalized student-authors. The book chapters use antiracist, trauma-informed, and anticolonial frameworks toward exploring the 21st-century professional, theoretical, and institutional concerns surrounding creative writing practices in North American higher education. As a result, the book explores ways creative writing pedagogies and theories might be adapted for racially and linguistically marginalized (by English) student-authors, who often inhabit minoritized positions within North American colleges and universities.
Applying as a frame the notion of cultural dexterity as it is taught to medical professionals to allow them to engage effectively with patients from all backgrounds, ethnics groups and with all sensitivities, Teaching Cultural Dexterity in Creative Writing examines why and how creative writing instruction needs to be urgently renegotiated. In this essential text for all creative writing instructors, McCray provides all the tools necessary to take positive action with discussions of potential readings, writing prompts and sample course materials.
Applying as a frame the notion of cultural dexterity as it is taught to medical professionals to allow them to engage effectively with patients from all backgrounds, ethnics groups and with all sensitivities, Teaching Cultural Dexterity in Creative Writing examines why and how creative writing instruction needs to be urgently renegotiated. In this essential text for all creative writing instructors, McCray provides all the tools necessary to take positive action with discussions of potential readings, writing prompts and sample course materials.
Reviews / Votes
Micah McCrary offers a careful elaboration of a creative writing that integrates multilingualism, antiracist praxis, intersectional understanding, and trauma-informed pedagogy. Prioritizing the culture in the writer's work of cultural production, this collection of essays will be transformative for literary pedagogy and practice. * Janelle Adsit, Associate Professor, English, Cal Poly Humboldt, USA *More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
Dimensions
Height: 229 mm
Width: 150 mm
Thickness: 13 mm
Weight
300 gr
ISBN-13
978-1-350-23717-9 (9781350237179)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Micah McCrary
Teaching Cultural Dexterity in Creative Writing
E-Book
04/2023
1st Edition
Bloomsbury Academic
€31.99
Available for download

Micah McCrary
Teaching Cultural Dexterity in Creative Writing
E-Book
04/2023
1st Edition
Bloomsbury Academic
€31.99
Available for download
Person
Micah McCrary is author of Island in the City (University of Nebraska Press), a memoir-in-essays. His work also appears in the Journal of Creative Writing Studies, Assay: A Journal of Nonfiction Studies, and Essay Daily, among other publications. A contributing editor at Assay, Dr. McCrary lives in New York on Haudenosaunee homelands, where he researches global health humanities and teaches courses in writing studies, creative nonfiction, and the health humanities at Syracuse University. He additionally serves as a mentor-teacher and low-residency faculty in Wilkes University's Maslow Family Graduate Program in Creative Writing.
Content
Beyond Belonging: An Introduction
Chapter 1: Difficult Dialogues: Toward a Trauma-Informed Creative Writing Workshop
Chapter 2: Writing Lives at the Roundtable: Toward Teaching Students-as-Authors
Chapter 3: Why Bother in English? On Creative Writing's Translingual Potential
Chapter 4: Before & Beyond Genre: Critically Considering Craft in the Nonfiction Classroom
Chapter 5: Beyond Genesis: A Transcultural Exigency for Research in Creative Writing
Chapter 6: Toward Critical Concepts in the Nonfiction Classroom: Some Reflection on Course Designs
Chapter 7: Where We've Been, Where We're Going: Considerations and Continuations
Appendix A: Sample Syllabus - Introduction to Creative Nonfiction
Appendix B: Sample Schedule - Introduction to Creative Nonfiction
Appendix C: Sample Trajectory - Introduction to Creative Nonfiction
Appendix D: Sample Syllabus - Studies in Creative Nonfiction
Appendix E: Sample Schedule - Studies in Creative Nonfiction
Appendix F: Sample Trajectory - Studies in Creative Nonfiction
Appendix G: Sample Project - Flash Nonfiction
Appendix H: Sample Project - Researched Nonfiction or Literary Translation
Appendix I: Sample Project - Identity Notebook
Appendix J: Sample Project - Revision for Targeted Publication + Exam Questions
Chapter 1: Difficult Dialogues: Toward a Trauma-Informed Creative Writing Workshop
Chapter 2: Writing Lives at the Roundtable: Toward Teaching Students-as-Authors
Chapter 3: Why Bother in English? On Creative Writing's Translingual Potential
Chapter 4: Before & Beyond Genre: Critically Considering Craft in the Nonfiction Classroom
Chapter 5: Beyond Genesis: A Transcultural Exigency for Research in Creative Writing
Chapter 6: Toward Critical Concepts in the Nonfiction Classroom: Some Reflection on Course Designs
Chapter 7: Where We've Been, Where We're Going: Considerations and Continuations
Appendix A: Sample Syllabus - Introduction to Creative Nonfiction
Appendix B: Sample Schedule - Introduction to Creative Nonfiction
Appendix C: Sample Trajectory - Introduction to Creative Nonfiction
Appendix D: Sample Syllabus - Studies in Creative Nonfiction
Appendix E: Sample Schedule - Studies in Creative Nonfiction
Appendix F: Sample Trajectory - Studies in Creative Nonfiction
Appendix G: Sample Project - Flash Nonfiction
Appendix H: Sample Project - Researched Nonfiction or Literary Translation
Appendix I: Sample Project - Identity Notebook
Appendix J: Sample Project - Revision for Targeted Publication + Exam Questions