
Screening Divinity
Lisa Maurice(Author)
Edinburgh University Press
Published on 6. June 2019
Book
Hardback
240 pages
978-1-4744-2573-5 (ISBN)
Description
Lisa Maurice examines screen portrayals of gods - covering Greco-Roman mythology, the Judeo-Christian God and Jesus - from the beginning of cinema to the present day. Focussing on the golden age of the Hollywood epic in the fifties and the twenty-first century second wave of big screen productions, she provides an over-arching picture that allows historical trends and developments to be demonstrated and contrasted.
Engaging with recent scholarship on film, particularly film and theology as well as classical reception, she considers the presentation of these gods through examination of their physical and moral characteristics, as well as their interaction with the human world, against the background of the social contexts of each production.
Engaging with recent scholarship on film, particularly film and theology as well as classical reception, she considers the presentation of these gods through examination of their physical and moral characteristics, as well as their interaction with the human world, against the background of the social contexts of each production.
Reviews / Votes
Screening Divinity offers a good mix of recent, popular, mainstream, and lesser known screen texts, both films and television series/miniseries/films, and emphasizes that while there is a correlation between secularism and the negativity of portrayals in recent years, the number of screen productions is clearly not lagging. Maurice offers good and ample illustrations, and her language and writing style make this an accessible and enjoyable read that will be of benefit to scholars, lay people, and undergraduates. -- Meredith D. Prince, Auburn University * Bryn Mawr Classical Review * [...]Screening Divinity is an erudite but at the same time lively and accessible book. -- P. Mardeusz, University of Vermont * CHOICE, March 2020 * The book is a valuable contribution to the scholarly literature on the cinematic representations of and interactions with the classical and biblical worlds. Rather than treating cinema as an entirely self-referential medium, Maurice situates the films within the broader historical context concerning the role of God and the gods in ancient belief, thought, and practice. This emphasis is important in that it considers film not only as shaped by but also as a part of this intellectual history. -- Adele Reinhartz, University of Ottawa * Scripta Classica Israelica, vol. 39 (2020) * What happens when theology meets the box office? Jesus, Zeus, Athena, Moses, Hera, Aphrodite and the Virgin Mary - no book has ever tackled a cast list like this before. In this unique study, Lisa Maurice deftly exposes the challenges and the compromises in representing divine figures whether they be Christian, Jewish, or Pagan. -- Alastair Blanshard, The University of QueenslandMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Illustrations
18 black and white illustrations
Dimensions
Height: 234 mm
Width: 163 mm
Thickness: 20 mm
Weight
499 gr
ISBN-13
978-1-4744-2573-5 (9781474425735)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Lisa Maurice
Screening Divinity
E-Book
05/2019
1st Edition
Edinburgh University Press
€0.00
Available for download
Person
Lisa Maurice is Senior Lecturer in the Department of Classical Studies, Bar-Ilan University, Israel. She has published on ancient education, Plautine comedy and her research now primarily focuses on classical reception. She is the author of The Teacher in Ancient Rome (Lexington, 2013) and of many articles, and is the editor of three volumes in the Brill Metaforms series on the reception of the ancient world in popular culture.
Content
Acknowledgements; List of Illustrations
Chapter One: Screening Divinity: Introduction
Chapter Two: Anthropomorphism
Chapter Three: Physiology and the Physical Appearance of the Divine (1): The Patriarchal King Figure and the Devil
Chapter Four: Physiology and the Physical Appearance of the Divine (2): Screening the Olympian Males and Jesus
Chapter Five: Gendering the Divine (1): Greek Goddesses on Screen
Chapter Six: Gendering the Divine (2): Holy Female Figures in the Judeo-Christian Film
Chapter Seven: Human-Divine Interactions on Screen
Chapter Eight: Blurring the Boundaries: Apotheoses and Deicides
Postscript: Some Concluding Observations
Filmography; Bibliography; Index
Chapter One: Screening Divinity: Introduction
Chapter Two: Anthropomorphism
Chapter Three: Physiology and the Physical Appearance of the Divine (1): The Patriarchal King Figure and the Devil
Chapter Four: Physiology and the Physical Appearance of the Divine (2): Screening the Olympian Males and Jesus
Chapter Five: Gendering the Divine (1): Greek Goddesses on Screen
Chapter Six: Gendering the Divine (2): Holy Female Figures in the Judeo-Christian Film
Chapter Seven: Human-Divine Interactions on Screen
Chapter Eight: Blurring the Boundaries: Apotheoses and Deicides
Postscript: Some Concluding Observations
Filmography; Bibliography; Index