Screening The Sacred
Religion, Myth, And Ideology In Popular American Film
Westview Press Inc
1st Edition
Published on 9. April 1995
Book
Hardback
193 pages
978-0-8133-8829-8 (ISBN)
Article exhausted; check different version
Description
This is a systematic study of religion and film in American culture. Employing theological, mythological, and social and political criticism, the book analyzes the influence of religion on popular film as well as how the medium has helped influence and shape American religious culture.
More details
Language
English
Place of publication
United States
Publishing group
Taylor & Francis Inc
Target group
College/higher education
Professional and scholarly
ISBN-13
978-0-8133-8829-8 (9780813388298)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Joel Martin | Conrad E. Ostwalt Jr.
Screening The Sacred
Religion, Myth, And Ideology In Popular American Film
Book
09/2019
1st Edition
Routledge
€206.10
Shipment within 15-20 days

Joel Martin | Conrad E. Ostwalt Jr.
Screening The Sacred
Religion, Myth, And Ideology In Popular American Film
E-Book
03/2018
Routledge
€72.49
Available for download

Joel Martin | Conrad E. Ostwalt Jr.
Screening The Sacred
Religion, Myth, And Ideology In Popular American Film
Book
03/1995
1st Edition
Westview Press Inc
€78.20
Shipment within 10-20 days
Content
Introduction: seeing the sacred on the screen. Part 1 Theological criticism: shall these bones live?; the problem of bodies in Alfred Hitchcock's "Psycho" and Joel Coen's "Blood Simple", Larry E. Grimes; angels in the primum mobile - dimensions of the sacred in William Kennedy's "Ironweed", novel and film, Ted L. Estess; the Christian allegorical structure of "Platoon", Avent Childress Beck; Hollywood and armageddon, Conrad E. Ostwalt, Jr. Part 2 Myth criticism: "Star Wars" - a myth for our time, Andrew Gordon; with eyes uplifted - space aliens as sky gods, Caron Schwartz Ellis; mythic evolution of "the new frontier" in cinema - the feminine strikes back, Janice Hocker Rushing. Part 3 Ideological criticism: redeeming America - "Rocky" as ritual racial drama, Joel W. Martin; from relevation to dream - allegory in David Lynch's "Blue Velvet", Elizabeth McLemore; women spoken for - images of displaced desire, Irena Makarushka; conclusion - religion, film and cultural analysis.