
Renaissance Invention
Stradanus's Nova Reperta
Lia Markey(Author)
Northwestern University Press
Will be published approx. on 30. March 2020
Book
Paperback/Softback
268 pages
978-0-8101-4202-2 (ISBN)
Description
This book is the first full-length study of the Nova Reperta (New Discoveries), a renowned series of prints designed by Johannes Stradanus during the late 1580s in Florence. Reproductions of the prints, essays, conversations from a scholarly symposium, and catalogue entries complement a Newberry Library exhibition that tells the story of the design, conception, and reception of Stradanus's engravings.
Renaissance Invention: Stradanus's 'Nova Reperta' seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected and fostered their adoption in the sixteenth century. What can Stradanus's prints tell us about invention and cross-cultural encounter in the Renaissance? What was considered 'new' in the era? Who created change and technological innovation?
Through images of group activities and interactions in workshops, Stradanus's prints emphasize the importance of collaboration in the creation of new things, dispelling traditional notions of individual genius. The series also dismisses the assumption that the revival of the wonders of the ancient world in Italy was the catalyst for transformation. In fact, the Latin captions on the prints explain how contemporary inventions surpass those of the ancients. Together, word and image foreground the global nature of invention and change in the early modern period even as they promote specifically Florentine interests and activities.
Renaissance Invention: Stradanus's 'Nova Reperta' seeks to understand why certain inventions or novelties were represented in the series and how that presentation reflected and fostered their adoption in the sixteenth century. What can Stradanus's prints tell us about invention and cross-cultural encounter in the Renaissance? What was considered 'new' in the era? Who created change and technological innovation?
Through images of group activities and interactions in workshops, Stradanus's prints emphasize the importance of collaboration in the creation of new things, dispelling traditional notions of individual genius. The series also dismisses the assumption that the revival of the wonders of the ancient world in Italy was the catalyst for transformation. In fact, the Latin captions on the prints explain how contemporary inventions surpass those of the ancients. Together, word and image foreground the global nature of invention and change in the early modern period even as they promote specifically Florentine interests and activities.
Reviews / Votes
Lia Markey has assembled an excellent team of scholars to guide us through a close, careful, and well contextualized reading of Johannes Stradanus's series of prints from the late 1580s known as the Nova Reperta, some of the most evocative and emblematic images of the early modern era." - Paula Findlen, author of Empires of Knowledge: Scientific Networks in the Early Modern WorldMore details
Language
English
Place of publication
Evanston
United States
Target group
Professional and scholarly
Illustrations
147 colour images
Dimensions
Height: 226 mm
Width: 304 mm
Thickness: 25 mm
Weight
1100 gr
ISBN-13
978-0-8101-4202-2 (9780810142022)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Lia Markey is the director of the Center of Renaissance Studies at the Newberry Library.
Content
Acknowledgements
Preface
Essays
Introduction: Inventing the Nova Reperta
Lia Markey
1.Philips Galle's Nova Reperta: A Case Study in Print Prices and Distribution
Karen L. Bowen
2. Stradanus's Print Shop and the Practice of Printing in Sixteenth-century Antwerp
Dirk Imhof
3. Diligent Labor in Stradanus's Engraving Shop
Madeleine C. Viljoen
4. Mathematical Instruments in the Nova Reperta
James Clifton
5. Invented Processes and Hands-On Knowledge: Stradanus's Distillation and Magnetic Compass
Olivia Dill
6. A New World Disease and Therapy: Stradano's Guaiacum Engraving
Alessandra Foscati and Lia Markey
7.The Global Reception of Stradanus and the Political Uses of the Nova Reperta
DAniel MargOcsy
8. Practical Knowledge in Early Modern Europe
Pamela H. Smith
Conversations
Navigation
Jim Akerman, Pedro Raposo, JB Shank
Warfare
David Cressy, Jennifer Nelson, Suzanne Karr Schmidt
Printing
Jill Gage, Martin Antonetti
Transformation
Rebecca Zorach, Luca MolA, Matthew James Crawford
Machines
Jessica Keating, Deborah Howard, Niall Atkinson
Visuality
Christine GOEttler, Claudia Swan, Sven DuprE
Catalogue
58 entries on materials from the Newberry's collection
Bibliography
Index
Preface
Essays
Introduction: Inventing the Nova Reperta
Lia Markey
1.Philips Galle's Nova Reperta: A Case Study in Print Prices and Distribution
Karen L. Bowen
2. Stradanus's Print Shop and the Practice of Printing in Sixteenth-century Antwerp
Dirk Imhof
3. Diligent Labor in Stradanus's Engraving Shop
Madeleine C. Viljoen
4. Mathematical Instruments in the Nova Reperta
James Clifton
5. Invented Processes and Hands-On Knowledge: Stradanus's Distillation and Magnetic Compass
Olivia Dill
6. A New World Disease and Therapy: Stradano's Guaiacum Engraving
Alessandra Foscati and Lia Markey
7.The Global Reception of Stradanus and the Political Uses of the Nova Reperta
DAniel MargOcsy
8. Practical Knowledge in Early Modern Europe
Pamela H. Smith
Conversations
Navigation
Jim Akerman, Pedro Raposo, JB Shank
Warfare
David Cressy, Jennifer Nelson, Suzanne Karr Schmidt
Printing
Jill Gage, Martin Antonetti
Transformation
Rebecca Zorach, Luca MolA, Matthew James Crawford
Machines
Jessica Keating, Deborah Howard, Niall Atkinson
Visuality
Christine GOEttler, Claudia Swan, Sven DuprE
Catalogue
58 entries on materials from the Newberry's collection
Bibliography
Index