Work and the Image: Work, Craft and Labour - Visual Representations in Changing Histories v. 1
Ashgate Publishing Limited
Published on 29. December 2000
Book
Hardback
240 pages
978-0-7546-0232-3 (ISBN)
Description
"Work and the Image", published in two volumes, addresses a critical theme in contemporary social and cultural debates whose place in visual representation has been neglected. Ranging from Greek pottery to contemporary performance, and exploring a breadth of geo-national perspectives including those of France, Britain, Hungary, Soviet Russia, the Ukraine, Siberia and Germany, the essays provide a challenging reconsideration of the image of work, the meaning of the work process, and the complex issues around artistic activity as itself a form of work even as it offers a representation of labour. Volume I includes interdisciplinary case studies which plot the changing definitions of work as labour, craft, social relations and a source of historical identity, while analyzing the role of visual representation in their formation and transformation. The diverse essays cover such topics as anti-slavery movements and enunciation of workers' rights, revolutionary politics, relations of class and gender, industrial masculinities and women's rural sociality, unemployment and subjectivity, Stalinist aesthetics and nationalist identities.
More details
Language
English
Place of publication
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Illustrations
illustrations, index
Dimensions
Height: 163 mm
Width: 241 mm
Weight
680 gr
ISBN-13
978-0-7546-0232-3 (9780754602323)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Content
A Greek vase painting - comments on the nature of craftsmanship?, Michael Duigan; Aux armes et aux arts! - Blacksmiths at the National Convention, Valerie Mainz; "The cook, the thief, his wife and her lover" - LaVille-Leroulx's Portrait de Negresse and the signs of misrecognition, Helen Weston; Death and the worker - Rethel in 1849, Will Vaughan; Gender and the Ideology of Capitalism - William Bell Scott's Iron and Coal, Jane Garnett; Time and work-discipline in Pissarro, T.J. Clark; Mih ly Bir 's N pszava poster and the emergence of Tendenzkunst, Sherwin Simmons; A re-visions of Ukranian identity - images of labouring peasant women in Tatiana Yablonskaya's Corn, 1949, Pat Simpson; Life and work in Silesia according to Kazimierz Kurz, Ewa Mazierska; This time next year we'll be farting through silk - aspiration and experience, Anonymous.