A Talent(ed) Digger
Creations, Cameos, and Essays in honour of Anna Rutherford
Published on 1. January 1996
Book
Paperback/Softback
538 pages
978-90-5183-953-1 (ISBN)
Description
Anna Rutherford has been the most dynamic ambassador of Australian culture in Europe. More than any other single person, she has been instrumental in spreading interest in Commonwealth and post-colonial studies. Wherever she has been in the world, she has brought people together in friendship and intellectual endeavour. This volume ranges widely over the areas Anna has promoted as teacher, editor and publisher.
More details
Series
Language
English
Place of publication
Leiden
Netherlands
Publishing group
Brill
Target group
Professional and scholarly
Dimensions
Height: 23 mm
Width: 16 mm
ISBN-13
978-90-5183-953-1 (9789051839531)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Hena Maes-Jelinek | Gordon Collier | Geoffrey V. Davis
A Talent(ed) Digger
Creations, Cameos, and Essays in honour of Anna Rutherford
Book
01/1996
Rodopi
€116.60
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Content
H. MAES-JELINEK: Prologue and Acknowledgements
D. JEFFARES: To Anna
A. van HERK: Anna Rutherford Excursions
L. JENSEN: The Far Outdoors
M. BUTCHER: An Open Letter to Anna
K. STUCKERT: Claiming an Identity They Taught Me to Despise
M. FABRE: Dear Anna
D. KILLAM: Unchallenged Excellence
M. JORGENSEN: Friendship in a Second Language
W. HARRIS: A Brief Memoir
B. FARMER: Annas Hus
J. DELBAERE: Annaarhus
J. KEMP: In Menton after EACLALS at Nice
C. CLAYTON: The Secret Spring
A. HASHMI: Anna and Kirsten: A Photograph
K. SINGH: Looking Back
A. MILLER: The Wine Merchant of Aarhus
D. DABYDEEN: from The Counting House
I. STEPHEN: Cyanus
M. HALLIGAN: Shagreen
J. ARASANAYAGAM: from Dragons in the Wilderness: The Father (Early 1900s)
J. THIEME: The Word
P.O. STUMMER: The Unbiassed Search
D. JEFFARES: A Dreaming Sequence
L.A. MURRAY: Cotton Flannelette
D. FAHEY: Macaws
L. EDMOND: Tree surgeon; Bronze in a town square, City of Derry, Northern Ireland; Trapeze; Undeserved
I. ADAM: from GLASS/gloss: Hopscotch; this is my spring poem
B. BENNETT: Homecomings
B. MATTHEWS: Tears
D. MACDERMOTT: Of Maps, Shipwrecks, and Islands
N. WATTIE: Singing for Witi and Ross
A. TAYLOR: Spring
S. GRAY: Ovid in His Exile
Y. GOONERATNE: Do Not Show Me the Graves
J. ARASANAYAGAM: Decolonizing the Self
H. TIFFIN: African Violets
I. STEPHEN: Poems and photo-poems
M. SHARKEY: Rite of Passage; The New Boy; Recollecting the Koeln Master's Faces
A. HASHMI: Salaam to T-Sai Lun; Tropics
S. NASTA: Wasafiri
P. SHARRAD: The Post-Colonial Gesture
G. TURCOTTE: Prolegomena to Un/Covering Alter/Native Scripts
L. DOBREZ: Not European-Made
A. NIVEN: Wordsworth's `Daffodils'
V.J. RAMRAJ: The Anna Rutherford-Aarhus Conference
J. STRAUSS: Tierra del Fuego
E. LINDSAY: `From the earth is risse a sun'
B. CLUNIES ROSS: On Not Meeting Barbara Hanrahan in the Adelaide Suburbs
D. BRYDON: Trousered Women
D. JONES: Women, Place, and Myth-Making
I. CARRERA SUAREZ: Carnal and Spiritual Empires
M. WARNER: Siren, Hyphen, or, The Maid Beguiled
C. ZABUS: The Power of `the Blue-Eyed Hag'
J. KIRKBY: Abject Discourse and the Imperial Gaze in Rosa Cappiello's Oh Lucky Country
H. TIFFIN: `Persistent Rumours'
J. BARDOLPH: Celebration of Life, Celebration of Language
B. OLINDER: Gender-Power Issues in Indian Terms
L. WHITE: Massamba with the Brilliant Flowers; The Three Graces; Update from a Distant Friend
S. BALLYN: The Grass Spider; Nothing is; Rooms
A. WALMSLEY: Bridges of Sleep
M. WILLIAMS: `Urban Archipelagoes'
M. McWATT: The Loneliness of the Long-Distance Writer
S. THOMAS: Conflicted Textual Affiliations
T. CRIBB: From Aran to St Lucia
B. LEDENT: Is Counter-Discursive Criticism Obsolescent?
L. JAMES: Eating the Dead
E. BAUGH: You ever notice how
V. POLLARD: Name
A. DRAYTON: Homage to Miss Vincy
G. LERNOUT: `What Shall We Do With The Shrunken Tailor?'
G. STILZ: Return to the Jungle?
D.C.R.A. GOONETILLEKE: Quartet: The Other Tagore
S. GEOK-LIN LIM: Crossroads and Crossed Words
K. SINGH: Cosmopolitanism in Singaporean Literature in English
S. NANDAN: Shooting the Deer, Shimla
D. RIEMENSCHNEIDER: taj view; at dhvanyaloka; delhi; dawn; pocomaniacs
G. DAVIS: The Intoxicated Octopus and the Garlic-Kissed Prawn
B. LINDFORS: Towards an Achebe Iconography
I. VIVAN: Nuruddin Farah's Beautiful Mat and its Italian Plot
C.A. HOWELLS: Taking Risks
M. LEER: The Map of the Story
B. HICKEY: Opting for Newfoundland
K. GROSS: The Voyageurs
C. TIFFIN: Pacific Writing and the Diminishing Islands
W.H. NEW: A Prologue to Mansfield's Epilogues
J.-P. DURIX: Patricia Grace's Potiki or the Trickster behind the Scenes
R. SELLICK: Alex Miller: Games and Puzzles
R. McDOUGALL: George Darrell's The Sunny South
V. BRADY: `This world, the next world, and Australia'
J. STRAUSS: Inscribing the Tree in the Poetry of Judith Wright
G. GRIFFITHS: Representing Difference in Sam Watson's The Kadaitcha Sung
G. HUGGAN: Peter Carey's Fiction and the Incriminated Reader
P. DOBREZ: The Bundanon Gift
G. COLLIER: Commas, Caps, and Corrections
D. JEFFARES: To Anna
A. van HERK: Anna Rutherford Excursions
L. JENSEN: The Far Outdoors
M. BUTCHER: An Open Letter to Anna
K. STUCKERT: Claiming an Identity They Taught Me to Despise
M. FABRE: Dear Anna
D. KILLAM: Unchallenged Excellence
M. JORGENSEN: Friendship in a Second Language
W. HARRIS: A Brief Memoir
B. FARMER: Annas Hus
J. DELBAERE: Annaarhus
J. KEMP: In Menton after EACLALS at Nice
C. CLAYTON: The Secret Spring
A. HASHMI: Anna and Kirsten: A Photograph
K. SINGH: Looking Back
A. MILLER: The Wine Merchant of Aarhus
D. DABYDEEN: from The Counting House
I. STEPHEN: Cyanus
M. HALLIGAN: Shagreen
J. ARASANAYAGAM: from Dragons in the Wilderness: The Father (Early 1900s)
J. THIEME: The Word
P.O. STUMMER: The Unbiassed Search
D. JEFFARES: A Dreaming Sequence
L.A. MURRAY: Cotton Flannelette
D. FAHEY: Macaws
L. EDMOND: Tree surgeon; Bronze in a town square, City of Derry, Northern Ireland; Trapeze; Undeserved
I. ADAM: from GLASS/gloss: Hopscotch; this is my spring poem
B. BENNETT: Homecomings
B. MATTHEWS: Tears
D. MACDERMOTT: Of Maps, Shipwrecks, and Islands
N. WATTIE: Singing for Witi and Ross
A. TAYLOR: Spring
S. GRAY: Ovid in His Exile
Y. GOONERATNE: Do Not Show Me the Graves
J. ARASANAYAGAM: Decolonizing the Self
H. TIFFIN: African Violets
I. STEPHEN: Poems and photo-poems
M. SHARKEY: Rite of Passage; The New Boy; Recollecting the Koeln Master's Faces
A. HASHMI: Salaam to T-Sai Lun; Tropics
S. NASTA: Wasafiri
P. SHARRAD: The Post-Colonial Gesture
G. TURCOTTE: Prolegomena to Un/Covering Alter/Native Scripts
L. DOBREZ: Not European-Made
A. NIVEN: Wordsworth's `Daffodils'
V.J. RAMRAJ: The Anna Rutherford-Aarhus Conference
J. STRAUSS: Tierra del Fuego
E. LINDSAY: `From the earth is risse a sun'
B. CLUNIES ROSS: On Not Meeting Barbara Hanrahan in the Adelaide Suburbs
D. BRYDON: Trousered Women
D. JONES: Women, Place, and Myth-Making
I. CARRERA SUAREZ: Carnal and Spiritual Empires
M. WARNER: Siren, Hyphen, or, The Maid Beguiled
C. ZABUS: The Power of `the Blue-Eyed Hag'
J. KIRKBY: Abject Discourse and the Imperial Gaze in Rosa Cappiello's Oh Lucky Country
H. TIFFIN: `Persistent Rumours'
J. BARDOLPH: Celebration of Life, Celebration of Language
B. OLINDER: Gender-Power Issues in Indian Terms
L. WHITE: Massamba with the Brilliant Flowers; The Three Graces; Update from a Distant Friend
S. BALLYN: The Grass Spider; Nothing is; Rooms
A. WALMSLEY: Bridges of Sleep
M. WILLIAMS: `Urban Archipelagoes'
M. McWATT: The Loneliness of the Long-Distance Writer
S. THOMAS: Conflicted Textual Affiliations
T. CRIBB: From Aran to St Lucia
B. LEDENT: Is Counter-Discursive Criticism Obsolescent?
L. JAMES: Eating the Dead
E. BAUGH: You ever notice how
V. POLLARD: Name
A. DRAYTON: Homage to Miss Vincy
G. LERNOUT: `What Shall We Do With The Shrunken Tailor?'
G. STILZ: Return to the Jungle?
D.C.R.A. GOONETILLEKE: Quartet: The Other Tagore
S. GEOK-LIN LIM: Crossroads and Crossed Words
K. SINGH: Cosmopolitanism in Singaporean Literature in English
S. NANDAN: Shooting the Deer, Shimla
D. RIEMENSCHNEIDER: taj view; at dhvanyaloka; delhi; dawn; pocomaniacs
G. DAVIS: The Intoxicated Octopus and the Garlic-Kissed Prawn
B. LINDFORS: Towards an Achebe Iconography
I. VIVAN: Nuruddin Farah's Beautiful Mat and its Italian Plot
C.A. HOWELLS: Taking Risks
M. LEER: The Map of the Story
B. HICKEY: Opting for Newfoundland
K. GROSS: The Voyageurs
C. TIFFIN: Pacific Writing and the Diminishing Islands
W.H. NEW: A Prologue to Mansfield's Epilogues
J.-P. DURIX: Patricia Grace's Potiki or the Trickster behind the Scenes
R. SELLICK: Alex Miller: Games and Puzzles
R. McDOUGALL: George Darrell's The Sunny South
V. BRADY: `This world, the next world, and Australia'
J. STRAUSS: Inscribing the Tree in the Poetry of Judith Wright
G. GRIFFITHS: Representing Difference in Sam Watson's The Kadaitcha Sung
G. HUGGAN: Peter Carey's Fiction and the Incriminated Reader
P. DOBREZ: The Bundanon Gift
G. COLLIER: Commas, Caps, and Corrections