Ecosophical Aesthetics
Art, Ethics and Ecology with Guattari
Published on 26. December 2019
Book
Paperback/Softback
272 pages
978-1-350-14382-1 (ISBN)
Description
Inspired by the ecosophical writings of Felix Guattari, this book explores the many ways that aesthetics - in the forms of visual art, film, sculpture, painting, literature, and the screenplay - can act as catalysts, allowing us to see the world differently, beyond traditional modes of representation. This is in direct parallel to Guattari's own attempt to break down the 19th century Kantian dialectic between man, art, and world, in favour of a non-hierarchical, transversal approach, to produce a more ethical and ecologically sensitive world view.
Each chapter author analyses artworks which critique capitalism's industrial devastation of the environment, while at the same time offering affirmative, imaginative futures suggested by art. Including contributions from philosophers, film theorists and artists, this book asks: How can we interact with the world in a non-dominant and non-destructive way? How can art catalyze new ethical relations with non-human entities and the environment? And, crucially, what part can philosophy play in rethinking these structures of interaction?
Each chapter author analyses artworks which critique capitalism's industrial devastation of the environment, while at the same time offering affirmative, imaginative futures suggested by art. Including contributions from philosophers, film theorists and artists, this book asks: How can we interact with the world in a non-dominant and non-destructive way? How can art catalyze new ethical relations with non-human entities and the environment? And, crucially, what part can philosophy play in rethinking these structures of interaction?
Reviews / Votes
A remarkable volume inspired by Guattarian ecosophy, advancing the complexity of ethico-aesthetic configurations and generating transversal flashes between carefully wrought contributions on multiple institutions and arts. Editors MacCormack and Gardner provide cartographies for creatively modifying existential territories, undertaken in the spirit of gentleness and modesty insisted upon by Guattari, and relevant to the responsibilities everyone is called upon to assume in the throes of the Anthropocene. -- Gary Genosko, Professor of Communication and Digital Media Studies, University of Ontario Institute of Technology, Canada Ecosophical Aesthetics gathers an outstanding range of scholars who do not simply apply philosophy to questions of ecology, but allow the complexity of ecology to transform the ways in which we form philosophical questions. These essays will change the way we think about some of the most important questions of the future, including: what (and how) do we value and live in an age of threatened life? -- Claire Mary Colebrook, Edwin Erle Sparks Professor of English, Philosophy, and Women's, Gender, and Sexuality Studies, Pennsylvania State University, USAMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
17 b&w
Dimensions
Height: 234 mm
Width: 156 mm
Weight
435 gr
ISBN-13
978-1-350-14382-1 (9781350143821)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
06/2018
1st Edition
Bloomsbury Academic
€38.49
Available for download
E-Book
06/2018
1st Edition
Bloomsbury Academic
€38.49
Available for download
Persons
Colin Gardner is Professor of Critical Theory and Integrative Studies at the University of California, Santa Barbara, USA where he teaches in the departments of Art, Film and Media Studies, Comparative Literature and the History of Art and Architecture.
Patricia MacCormack is Professor of Continental Philosophy, Anglia Ruskin University, UK, researching and writing on Deleuze, Guattari, Irigaray and Serres, poshumanism, ethics, animal rights, body modification, queer theory, transgression and horror film. She is the editor of The Animal Catalyst (Bloomsbury 2014).
Patricia MacCormack is Professor of Continental Philosophy, Anglia Ruskin University, UK, researching and writing on Deleuze, Guattari, Irigaray and Serres, poshumanism, ethics, animal rights, body modification, queer theory, transgression and horror film. She is the editor of The Animal Catalyst (Bloomsbury 2014).
Content
Introduction
Colin Gardner (University of California, Santa Barbara, USA) and Patricia MacCormack (Anglia Ruskin University, UK)
PART 1: Therapy/Care/Affect/Poetics: Towards and Ecosophical Ethics
Chapter 1. Schizosemiotic Apprenticeship: Guattari's Gift to Contemporary Clinical Practice.
James Fowler and Patricia MacCormack (Anglia Ruskin University, UK)
Chapter 2. 'An inside that lies deeper than any internal world': On the Ecosophical Significance of Affect
Jason Cullen (University of Queensland, Australia)
Chapter 3. Care of the Wild: A Primer
Aranye Fradenburg (University of California, Santa Barbara, USA)
Chapter 4. Audubon in Bondage: Extinct Botanicals and Invasive Species.
Penelope Gottlieb (University of California, Santa Barbara, USA)
Chapter 5. From 'Shipwreck of the Singular' to Post-Media Poetics: Pierre Joris's Meditations on the Stations of Mansur Al-Hallaj as processual praxis
Jason Skeet (Cardiff University, UK)
PART 2: Ecosophical Aesthetics, 'UIQOSOPHY' and the Abstract Machine
Chapter 6. UIQOSOPHY (or an Unmaking-of)
Graeme Thomson and Silvia Maglioni (independent artists and filmmakers)
Chapter 7. The Guattarian Art of Failure: An Ecosophical Portrait
Zach Horton (University of California, Santa Barbara, USA)
Chapter 8. Into the Zone: Affective Counterpoint and Ecosophical Aesthetics in the Films of Terrence Malick
Colin Gardner (University of California, Santa Barbara, USA)
Chapter 9. The Delirious Abstract Machines of Jean Tinguely
Joff Bradley (Teikyo University, Japan)
PART 3: The Shattered Muse: Ecosophy and Transverse Subjectivities
Chapter 10. The Shattered Muse: Metis, Melismatics & The Catastrosophical Imagination
Charlie Blake (University of Brighton, UK)
Chapter 11. The Transversalization of Wildness: Queer Desires and Nonhuman Becomings in Djuna Barnes's Nightwood
Alexandra Magearu (University of California, Santa Barbara, USA)
Chapter 12. Doing Something Close to Nothing: Marina Abramovic's 'War Machine!'
Renee C. Hoogland (Wayne State University, USA)
Index
Colin Gardner (University of California, Santa Barbara, USA) and Patricia MacCormack (Anglia Ruskin University, UK)
PART 1: Therapy/Care/Affect/Poetics: Towards and Ecosophical Ethics
Chapter 1. Schizosemiotic Apprenticeship: Guattari's Gift to Contemporary Clinical Practice.
James Fowler and Patricia MacCormack (Anglia Ruskin University, UK)
Chapter 2. 'An inside that lies deeper than any internal world': On the Ecosophical Significance of Affect
Jason Cullen (University of Queensland, Australia)
Chapter 3. Care of the Wild: A Primer
Aranye Fradenburg (University of California, Santa Barbara, USA)
Chapter 4. Audubon in Bondage: Extinct Botanicals and Invasive Species.
Penelope Gottlieb (University of California, Santa Barbara, USA)
Chapter 5. From 'Shipwreck of the Singular' to Post-Media Poetics: Pierre Joris's Meditations on the Stations of Mansur Al-Hallaj as processual praxis
Jason Skeet (Cardiff University, UK)
PART 2: Ecosophical Aesthetics, 'UIQOSOPHY' and the Abstract Machine
Chapter 6. UIQOSOPHY (or an Unmaking-of)
Graeme Thomson and Silvia Maglioni (independent artists and filmmakers)
Chapter 7. The Guattarian Art of Failure: An Ecosophical Portrait
Zach Horton (University of California, Santa Barbara, USA)
Chapter 8. Into the Zone: Affective Counterpoint and Ecosophical Aesthetics in the Films of Terrence Malick
Colin Gardner (University of California, Santa Barbara, USA)
Chapter 9. The Delirious Abstract Machines of Jean Tinguely
Joff Bradley (Teikyo University, Japan)
PART 3: The Shattered Muse: Ecosophy and Transverse Subjectivities
Chapter 10. The Shattered Muse: Metis, Melismatics & The Catastrosophical Imagination
Charlie Blake (University of Brighton, UK)
Chapter 11. The Transversalization of Wildness: Queer Desires and Nonhuman Becomings in Djuna Barnes's Nightwood
Alexandra Magearu (University of California, Santa Barbara, USA)
Chapter 12. Doing Something Close to Nothing: Marina Abramovic's 'War Machine!'
Renee C. Hoogland (Wayne State University, USA)
Index