Gropius
The Man Who Built the Bauhaus
Published on 15. April 2019
Book
Hardback
560 pages
978-0-674-73785-3 (ISBN)
Description
"This is an absolute triumph-ideas, lives, and the dramas of the twentieth century are woven together in a feat of storytelling. A masterpiece."
-Edmund de Waal, ceramic artist and author of The White Road
The impact of Walter Gropius can be measured in his buildings-Fagus Factory, Bauhaus Dessau, Pan Am-but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as "a special privilege for the aesthetically initiated."
Gropius offers a poignant and personal story-and a fascinating reexamination of the urges that drove European and American modernism.
-Edmund de Waal, ceramic artist and author of The White Road
The impact of Walter Gropius can be measured in his buildings-Fagus Factory, Bauhaus Dessau, Pan Am-but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as "a special privilege for the aesthetically initiated."
Gropius offers a poignant and personal story-and a fascinating reexamination of the urges that drove European and American modernism.
Reviews / Votes
A riveting book about a man who nurtured a vastly ambitious project through extraordinary times. * The Economist * A comprehensive biography of the figure whom the painter Paul Klee, a teacher at the Bauhaus, called 'the silver prince.' -- Dan Chiasson * New Yorker * MacCarthy transforms [Gropius] from a dull institutionalist-head of the Bauhaus and, later, prominent professor at the Harvard Graduate School of Design-into a stylistic rebel who lived and loved in an exuberant community of artist outcasts that would be scattered across the world after Weimar Germany became the Third Reich. Whereas critics of the Bauhaus have seen it as the harbinger of giant faceless office towers and superhighways slicing through cities, MacCarthy presents the school as a fount of idealism: both an artistic collective, surging with creative energy, and a political project briefly filled with the angst and elan of a lost generation soon to be crushed by Hitler. Most of all, MacCarthy shows that Gropius's true legacy was the talent he nurtured in others-I. M. Pei, Philip Johnson, Paul Klee, Marcel Breuer, and Wassily Kandinsky, to name but a few. * New Republic * MacCarthy's book doesn't claim to offer deep analysis of all of Gropius's or the Bauhaus's artistic output. But, as a way of bringing the human stories of this extraordinary phenomenon to life, it's hard to beat. * The Guardian * MacCarthy's enjoyable biography is an impressive achievement, finally giving us not just Gropius the architect in black and white, but the human being in full color. * Evening Standard * MacCarthy makes a compelling case for the architect as an impassioned idealist and romantic...An incredibly readable and rounded biography and gives credit where it's due to the formidable women who shaped him. * Literary Review * [A] revelatory biography...Strikingly readable...Gropius emerges here as a kind of obsessive, passionate genius...Transforms our understanding of the history and significance not only of Gropius but of the group of 1930s innovators who comprised the movement. * The Arts Desk * [A] meticulously researched, balanced and brilliantly written biography...MacCarthy refuses the often ill-researched reductionist characterizations of Gropius as the arrogant, dour modernist. Instead, she passionately weaves a gripping and powerful narrative deserving of a wide audience while also making for essential reading for anyone studying architecture and design. * Irish Times * A complex narrative about a complex man. Fiona MacCarthy's richly detailed biography of Walter Gropius, one of the twentieth century's most influential architects, reads like a detective story. -- Moshe Safdie, founding principal of Moshe Safdie Architects Saint or sinner? Visionary or myopic? In the century since the Bauhaus opened, its founder Walter Gropius has been lionised and demonised. Did Gropius inspire the world's most influential and humane art school, or was he the evil genius of miserable industrial culture? Fiona MacCarthy is Britain's first and best writer on design. She rescues Gropius's reputation in a book full of learning, insight, dry wit, and belief. Just like the man himself. -- Stephen Bayley, cofounder of the Design Museum, London, and author of <i>Taste</i> This is an absolute triumph-ideas, lives, and the dramas of the twentieth century are woven together in a feat of storytelling. A masterpiece. -- Edmund de Waal, ceramic artist and author of <i>The White Road</i> MacCarthy's lucid biography shows Gropius as a man of ideas who has indelibly influenced how we conceive of and respond to the environments that shape our everyday lives. -- Mohsen Mostafavi, Dean and Alexander & Victoria Wiley Professor of Design, Harvard Graduate School of Design, and author of <i>Structure as Space</i> Gropius, too often dismissed as a chilly theorist, emerges in a clearer, subtler, and far more sympathetic light from Fiona MacCarthy's wide-ranging and authoritative biography. -- Hilary Spurling, author of <i>Matisse the Master</i> Fiona McCarthy has helped us to see Gropius in a radically different light. This is a very significant biography of a very significant man. -- Sir Christopher Frayling MacCarthy brings insight and sensitivity to a sweeping, penetrating life of Walter Gropius...She produces a multidimensional portrait of a towering, complex figure...Engrossing, impressively researched, and keenly perceptive. * Kirkus Reviews * [A] comprehensive portrait of the German-born architect best known for founding the Bauhaus...MacCarthy offers a buoyant account of her subject's life. * Booklist * A luminous, vigorous study of a prodigiously gifted man driven by singular passion. * Hyperallergic * MacCarthy is out to change wrong-headed perceptions in her biography...Rather than giving us a portrait of a mechanical architectural rationalist, she underscores Gropius's humanity, and how that inspired his visionary philosophy as well as the consummate aesthetic courage he showed through an extremely volatile, even dangerous, political age. -- Mark Favermann * Arts Fuse * A great read, suitable for the beach, which Gropius and other Bauhaeusler loved, from the banks of the Elbe to Cape Cod... An account of the sentimental journey of one of the most influential architects and pedagogues of the 20th century. -- Barry Bergdoll * The Architect's Newspaper * For those craving a bit more personal insight into the life of the notoriously uptight Walter Gropius, Fiona MacCarthy's biography will be sure to scratch that itch. -- Jonathan Hilburg * The Architect's Newspaper * An engrossing read. -- Caroline Rob Zaleski * Architectural Record * [Gropius's] achievements overshadow the man and it's the great virtue of Fiona MacCarthy's biography to bring this austere figure to life. -- Michael Webb * Form * Presents a lively portrait of this seminal figure. The book brims with personal details...This is an enjoyable, well-written portrait of a giant of 20th-century modernism. * Choice *More details
Language
English
Place of publication
Cambridge, Mass.
United States
Publishing group
Harvard University Press
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Illustrations
50 photos
Dimensions
Height: 241 mm
Width: 161 mm
Thickness: 50 mm
Weight
1010 gr
ISBN-13
978-0-674-73785-3 (9780674737853)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Fiona MacCarthy was the author of William Morris: A Life for Our Time, winner of the Wolfson History Prize and the Writers' Guild Nonfiction Award, and the well-received Byron: Life and Legend. A former design correspondent for The Guardian and architecture critic for The Observer, she curated exhibits at the Victoria & Albert Museum and the National Portrait Gallery in London. MacCarthy was a Fellow of the Royal Society of Literature and a Senior Fellow at the Royal College of Art.