
Lynch on Lynch
David Lynch(Author)
Chris Rodley(Editor)
Faber & Faber (Publisher)
Published on 17. February 2005
Book
Paperback/Softback
336 pages
978-0-571-22018-2 (ISBN)
Description
Lynch on Lynch describes the career of a cinematic genius who has continued to astonish filmgoers with the lovely and life-affirming The Straight Story and the luxurious dread of the Academy Award-nominated Mulholland Drive, in the words of Lynch himself.
David Lynch erupted onto the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative, and truly personal directors at work in contemporary film. He is a surrealist, in the tradition of the great Spanish director Luis Bunuel. Over the course of a career that includes such films as The Elephant Man, Blue Velvet, Wild at Heart, Lost Highway, and the seminal TV series Twin Peaks, Lynch has remained true to an artistic vision of innocence lost or adrift in the direst states of darkness and confusion. Nobody else sees the world quite as David Lynch does. Once seen, his films are never forgotten, nor does the world about us seem quite as it did before.
In this definitive career-length interview book, Lynch speaks openly about the full breadth of his creative work, which encompasses not only movies but also a lifelong commitment to painting, a continuing exploration of photography, extensive work in television, and musical collaborations with composer Angelo Badalamenti and singer Julee Cruise.
David Lynch erupted onto the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative, and truly personal directors at work in contemporary film. He is a surrealist, in the tradition of the great Spanish director Luis Bunuel. Over the course of a career that includes such films as The Elephant Man, Blue Velvet, Wild at Heart, Lost Highway, and the seminal TV series Twin Peaks, Lynch has remained true to an artistic vision of innocence lost or adrift in the direst states of darkness and confusion. Nobody else sees the world quite as David Lynch does. Once seen, his films are never forgotten, nor does the world about us seem quite as it did before.
In this definitive career-length interview book, Lynch speaks openly about the full breadth of his creative work, which encompasses not only movies but also a lifelong commitment to painting, a continuing exploration of photography, extensive work in television, and musical collaborations with composer Angelo Badalamenti and singer Julee Cruise.
More details
Edition
Main
Language
English
Place of publication
London
United Kingdom
Edition type
Revised edition
Product notice
Paperback (trade)
Illustrations
Includes 73 Black-and-White Photographs, Filmography, Notes, Bibliography, and an Index
Dimensions
Height: 216 mm
Width: 133 mm
Thickness: 25 mm
Weight
341 gr
ISBN-13
978-0-571-22018-2 (9780571220182)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Previous edition
David Lynch | Chris Rodley
Lynch on Lynch
Book
02/1999
Faber & Faber
€36.11
Article exhausted; check for reprint
Persons
[Chris Rodley] At the age of six I decided I wanted to be an artist. I graduated in Fine Art (Painting) in 1974. Having subsequently become disillusioned with my work, but by now completely obsessed with the movies, I began programming independent cinemas in 1977. Courtesy of Channel Four, I was able to begin making documentaries in 1983 and have been an independent filmmaker ever since. In the intervening 35 years I have produced and/or directed over 80 arts documentaries for television and contributed to over a dozen documentary series. I first worked with David Lynch in 1993 while making a documentary about American independent cinema. In 1996 I spent some time on the set of Lynch's Lost Highway and made a short film for the BBC about its making and meaning. That year Lynch and I also began working on this book. I also worked extensively with the director David Cronenberg, making two documentaries about his work (one in 1986 and another in 1992), as well as editing the book Cronenberg on Cronenberg for Faber and Faber. Unlike David Lynch, I never returned to painting. He really told me off about that.