
Language on Display
Writers, Fiction and Linguistic Culture in Post-Soviet Russia
Ingunn Lunde(Author)
Edinburgh University Press
Published on 15. May 2019
Book
Paperback/Softback
232 pages
978-1-4744-5229-8 (ISBN)
Description
Post-Soviet Russia was a period of linguistic liberalisation, instability and change with varied attempts to regulate and legislate language usage, a time when the language question permeated all spheres of social, cultural and political life.
Key topics for debate included the Soviet linguistic legacy, the past and future of Russian, linguistic variation, language policy and linguistic ideologies. This book looks at how these debates featured in literature and illustrates the discussion through six interpretive readings of post-Soviet Russian prose. It analyses both the writers' explicit and implicit responses and in doing opens up new perspectives for sociolinguistic research on metalanguage.
Spanning a number of theoretical fields including language variation, language policy and literary stylistics, Ingunn Lunde provides a coherent way of triangulating these fields by the introduction of the concept of performative metalanguage. The book also offers insight into the role of writers in the broader social and political context of language culture in contemporary Russia and into the various ways in which the linguistic and aesthetic practices of literary art can engage in questions related to the negotiation of linguistic norms.
Key topics for debate included the Soviet linguistic legacy, the past and future of Russian, linguistic variation, language policy and linguistic ideologies. This book looks at how these debates featured in literature and illustrates the discussion through six interpretive readings of post-Soviet Russian prose. It analyses both the writers' explicit and implicit responses and in doing opens up new perspectives for sociolinguistic research on metalanguage.
Spanning a number of theoretical fields including language variation, language policy and literary stylistics, Ingunn Lunde provides a coherent way of triangulating these fields by the introduction of the concept of performative metalanguage. The book also offers insight into the role of writers in the broader social and political context of language culture in contemporary Russia and into the various ways in which the linguistic and aesthetic practices of literary art can engage in questions related to the negotiation of linguistic norms.
Reviews / Votes
Lunde's study deserves a wider audience than Slavists alone. Her groundbreaking interdisciplinary methodology, as well as the compelling argument about performative metalanguage, could inspire new (comparative) perspectives on other cultural and linguistic contexts. -- Boris Noordenbos, University of Amsterdam * The Russian Review * Lunde's study deserves a wider audience than Slavists alone. Her groundbreaking interdisciplinary methodology, as well as the compelling argument about performative metalanguage, could inspire new (comparative) perspectives on other cultural and linguistic contexts. -- Boris Noordenbos, University of Amsterdam * The Russian Review * A highly stimulating book that understands the range of contemporary literary performative metalanguage in Russia. -- Holger Kusse, Dresden * Zeitschrift fuer Slavische Philologie * Like few others among her contemporaries, Lunde expertly bridges the disciplinary divide between language and literary studies. Language on Display is a rare philological gem that offers as much sociolinguistic insight into the complicated fate of the Russian language after the collapse of the Soviet Union, as it does critical illumination of the role writers play in both articulating and pushing the boundaries of language standards and norms. -- Michael S. Gorham, University of FloridaMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
2 black and white illustrations
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 13 mm
Weight
340 gr
ISBN-13
978-1-4744-5229-8 (9781474452298)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Ingunn Lunde is Professor of Russian in the Department of Foreign Languages at the University of Bergen.
Content
Acknowledgements
Note on transliteration and translations
Introduction: sociolinguistic change and the response of literature
Part I. Post-Soviet language culture
Chapter 1. Newspeak, counterspeak and linguistic memory
Chapter 2. Challenging the standard
Part II. Language, writers and fiction
Chapter 3. Languages and styles of post-Soviet Russian prose
Chapter 4. The literary norm
Part III. Writers on language: telling and showing
Chapter 5. Pisateli o iazyke: writers' reflections on language
Chapter 6. Abanamat: reactions to the ban on profanity in art (2014)
Part IV. Language on display
Chapter 7. Confronting linguistic legacies: Evgenii Popov and Vladimir Sorokin
Chapter 8. Language, time and linguistic dystopia: Tatiana Tolstaia and Evgenii Vodolazkin
Chapter 9. Language ideologies and society: Valerii Votrin and Mikhail Gigolashvili
Conclusion: Towards a theory of performative metalanguage
References
Index
Note on transliteration and translations
Introduction: sociolinguistic change and the response of literature
Part I. Post-Soviet language culture
Chapter 1. Newspeak, counterspeak and linguistic memory
Chapter 2. Challenging the standard
Part II. Language, writers and fiction
Chapter 3. Languages and styles of post-Soviet Russian prose
Chapter 4. The literary norm
Part III. Writers on language: telling and showing
Chapter 5. Pisateli o iazyke: writers' reflections on language
Chapter 6. Abanamat: reactions to the ban on profanity in art (2014)
Part IV. Language on display
Chapter 7. Confronting linguistic legacies: Evgenii Popov and Vladimir Sorokin
Chapter 8. Language, time and linguistic dystopia: Tatiana Tolstaia and Evgenii Vodolazkin
Chapter 9. Language ideologies and society: Valerii Votrin and Mikhail Gigolashvili
Conclusion: Towards a theory of performative metalanguage
References
Index