
Blake Edwards
Film Director as Multitalented Auteur
Wiley-Blackwell (Publisher)
1st Edition
Published on 7. September 2023
Book
Paperback/Softback
304 pages
978-1-119-60204-0 (ISBN)
Description
The first critical analysis of its kind to focus on the dramatic works of Blake Edwards
Blake Edwards, best known for popular comedies such as The Pink Panther series with Peter Sellers, enjoyed a successful 70-year career as a writer, producer, actor, and director in radio, television, film, and theater. Perhaps one of the most important and influential film directors of his generation, many of Edwards's serious films have been forgotten, overlooked, or marginalized.
In Blake Edwards: Film Director as Multitalented Auteur, William Luhr and Peter Lehman provide a detailed critical analysis of Edwards's serious works, including his dramas, radio and television works, theatrical productions, one-man art shows, and unproduced screenplays. Drawing on original research from numerous set visits and personal interviews, this in-depth volume explores the relationship between Edwards's comedies and dramas, considers how he worked creatively in disparate genres, discusses how Edwards used composition, editing, screen space, and visual motifs to shape his films, and much more. Luhr and Lehman also examine films written by Edwards that he did not direct, such as Drive a Crooked Road, challenging the assumption of auteur critics that serious artistic achievement is the sole province of cinema marginalizing radio and television as well as writing, producing, and acting. Exploring the complex and creative way Edwards approached genre conventions in his works, Blake Edwards: Film Director as Multitalented Auteur:
* Features interviews with Edwards and many of his creative and business collaborators, including composer Henry Mancini and writer-director Richard Quine.
* Analyzes non-comedic films including Experiment in Terror, Days of Wine and Roses, The Tamarind Seed, and Sunset.
* Reviews theater works such as Victor/Victoria: The Musical and unproduced film adaptations such as The Pink Panther Musical and A Shot in the Dark Surveys Peter Gunn, Richard Diamond: Private Detective, and other early radio, television, and movie work.
* Applies important work in contemporary film theory such as the global digital convergence of radio, television and film to auteur criticism of Edwards's films.
Blake Edwards: Film Director as Multitalented Auteur is an excellent text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
Blake Edwards, best known for popular comedies such as The Pink Panther series with Peter Sellers, enjoyed a successful 70-year career as a writer, producer, actor, and director in radio, television, film, and theater. Perhaps one of the most important and influential film directors of his generation, many of Edwards's serious films have been forgotten, overlooked, or marginalized.
In Blake Edwards: Film Director as Multitalented Auteur, William Luhr and Peter Lehman provide a detailed critical analysis of Edwards's serious works, including his dramas, radio and television works, theatrical productions, one-man art shows, and unproduced screenplays. Drawing on original research from numerous set visits and personal interviews, this in-depth volume explores the relationship between Edwards's comedies and dramas, considers how he worked creatively in disparate genres, discusses how Edwards used composition, editing, screen space, and visual motifs to shape his films, and much more. Luhr and Lehman also examine films written by Edwards that he did not direct, such as Drive a Crooked Road, challenging the assumption of auteur critics that serious artistic achievement is the sole province of cinema marginalizing radio and television as well as writing, producing, and acting. Exploring the complex and creative way Edwards approached genre conventions in his works, Blake Edwards: Film Director as Multitalented Auteur:
* Features interviews with Edwards and many of his creative and business collaborators, including composer Henry Mancini and writer-director Richard Quine.
* Analyzes non-comedic films including Experiment in Terror, Days of Wine and Roses, The Tamarind Seed, and Sunset.
* Reviews theater works such as Victor/Victoria: The Musical and unproduced film adaptations such as The Pink Panther Musical and A Shot in the Dark Surveys Peter Gunn, Richard Diamond: Private Detective, and other early radio, television, and movie work.
* Applies important work in contemporary film theory such as the global digital convergence of radio, television and film to auteur criticism of Edwards's films.
Blake Edwards: Film Director as Multitalented Auteur is an excellent text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
More details
Series
Language
English
Publishing group
Wiley
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 16 mm
Weight
424 gr
ISBN-13
978-1-119-60204-0 (9781119602040)
Schweitzer Classification
Other editions
Additional editions

E-Book
08/2023
1st Edition
Wiley
€28.99
Available for download

E-Book
08/2023
1st Edition
Wiley
€28.99
Available for download
Persons
William Luhr is Professor of English and Film at Saint Peter's University and Co-Chair of the faculty-level Columbia University Seminar on Cinema and Interdisciplinary Interpretation. His books include Film Noir; Screening Genders (co-edited with Krin Gabbard); and (co-authored with Peter Lehman) Thinking About Movies: Watching, Questioning, Enjoying, 4th Edition, as well as Blake Edwards and Returning to the Scene: Blake Edwards, Volume II. Luhr's writings have been published widely and he lectures in both national and international venues.
Peter Lehman is Professor Emeritus of Film and Media Studies in English at Arizona State University. He is the former President of the Society for Cinema and Media Studies and the Founding Editor of Wide Angle. His publications include author of Running Scared: Masculinity and the Representation of the Male Body, New Edition and Roy Orbison: The Invention of an Alternative Rock Masculinity and co-author of Thinking about Movies: Watching, Questioning, Enjoying, 4th Edition; Blake Edwards and Returning to the Scene: Blake Edwards, Volume II. He is editor of Pornography: Film and Culture and co-editor of The Searchers: Essays and Reflections on John Ford's Classic Western. He has lectured widely nationally and internationally.
Peter Lehman is Professor Emeritus of Film and Media Studies in English at Arizona State University. He is the former President of the Society for Cinema and Media Studies and the Founding Editor of Wide Angle. His publications include author of Running Scared: Masculinity and the Representation of the Male Body, New Edition and Roy Orbison: The Invention of an Alternative Rock Masculinity and co-author of Thinking about Movies: Watching, Questioning, Enjoying, 4th Edition; Blake Edwards and Returning to the Scene: Blake Edwards, Volume II. He is editor of Pornography: Film and Culture and co-editor of The Searchers: Essays and Reflections on John Ford's Classic Western. He has lectured widely nationally and internationally.