
Red Ink
Native Americans Picking Up the Pen in the Colonial Period
Drew Lopenzina(Author)
State University of New York Press
Published on 2. January 2013
Book
Paperback/Softback
412 pages
978-1-4384-3978-5 (ISBN)
Description
Reexamines the writings of early indigenous authors in the northeastern United States.
The Native peoples of colonial New England were quick to grasp the practical functions of Western literacy. Their written literary output was composed to suit their own needs and expressed views often in resistance to the agendas of the European colonists they were confronted with. Red Ink is an engaging retelling of American colonial history, one that draws on documents that have received scant critical and scholarly attention to offer an important new interpretation grounded in indigenous contexts and perspectives. Author Drew Lopenzina reexamines a literature that has been compulsively "corrected" and overinscribed with the norms and expectations of the dominant culture, while simultaneously invoking the often violent tensions of "contact" and the processes of unwitnessing by which Native histories and accomplishments were effectively erased from the colonial record. In a compelling narrative arc, Lopenzina enables the reader to travel through a history that, however familiar, has never been fully appreciated or understood from a Native-centered perspective.
The Native peoples of colonial New England were quick to grasp the practical functions of Western literacy. Their written literary output was composed to suit their own needs and expressed views often in resistance to the agendas of the European colonists they were confronted with. Red Ink is an engaging retelling of American colonial history, one that draws on documents that have received scant critical and scholarly attention to offer an important new interpretation grounded in indigenous contexts and perspectives. Author Drew Lopenzina reexamines a literature that has been compulsively "corrected" and overinscribed with the norms and expectations of the dominant culture, while simultaneously invoking the often violent tensions of "contact" and the processes of unwitnessing by which Native histories and accomplishments were effectively erased from the colonial record. In a compelling narrative arc, Lopenzina enables the reader to travel through a history that, however familiar, has never been fully appreciated or understood from a Native-centered perspective.
More details
Series
Language
English
Place of publication
Albany, NY
United States
Target group
Professional and scholarly
US School Grade: College Graduate Student and over
Product notice
Paperback (trade)
Illustrations
21 Figures; 3 Maps
Dimensions
Height: 228 mm
Width: 151 mm
Thickness: 35 mm
Weight
570 gr
ISBN-13
978-1-4384-3978-5 (9781438439785)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
03/2012
1st Edition
De Gruyter
from
€91.99
Available for download
Person
Drew Lopenzina is Assistant Professor of American Literature at Sam Houston State University.
Content
List of Illustrations
Preface and Acknowledgments
Abbreviations
Introduction
Survival Writing: Contesting the "Pen and Ink Work" of Colonialism
1. Wussuckwheke, or the Painted Letter: Glimpses of Native Signification Acknowledged and Unwitnessed (1492-1643)
2. Praying Indians, Printing Devils: Centers of Indigeneity within Colonial Containments (1643-1665)
3. King Philip's Signature: Ascribing Philip's Name to Land, War, and History in Native New England (1660-1709)
4. Beneath the Wave: The Maintenance of Native Tradition in Hidden Transcripts (1709-1768)
5. A Tale of Two Settlements: Mohican, Mohegan, and the Road to Brotherton (1724-1785)
Afterword
O' Brotherton, Where Art Though
Notes
Bibliography
Index
Preface and Acknowledgments
Abbreviations
Introduction
Survival Writing: Contesting the "Pen and Ink Work" of Colonialism
1. Wussuckwheke, or the Painted Letter: Glimpses of Native Signification Acknowledged and Unwitnessed (1492-1643)
2. Praying Indians, Printing Devils: Centers of Indigeneity within Colonial Containments (1643-1665)
3. King Philip's Signature: Ascribing Philip's Name to Land, War, and History in Native New England (1660-1709)
4. Beneath the Wave: The Maintenance of Native Tradition in Hidden Transcripts (1709-1768)
5. A Tale of Two Settlements: Mohican, Mohegan, and the Road to Brotherton (1724-1785)
Afterword
O' Brotherton, Where Art Though
Notes
Bibliography
Index