The Modes of Modern Writing
Metaphor, Metonymy, and the Typology of Modern Literature
Published on 22. October 2015
Book
Paperback/Softback
368 pages
978-1-4742-4421-3 (ISBN)
Description
The Modes of Modern Writing tackles some of the fundamental questions we all encounter when studying or reading literature, such as: what is literature? What is realism? What is relationship between form and content? And what dictates the shifts in literary fashions and tastes? In answering these questions, the book examines texts by a wide range of modern novelists and poets, including James Joyce, T.S.Eliot, Ernest Hemingway, George Orwell, Virginia Woolf, Samuel Beckett and Philip Larkin, and draws on the work of literary theorists from Roman Jakobson to Roland Barthes. Written in Lodge's typically accessible style this is essential reading for students and lovers of literature at any level. The Bloomsbury Revelations edition includes a new Foreword/Afterword by the author.
Reviews / Votes
Important and original...The Modes of Modern Writing is an outstanding book. * Times Higher Education * David Lodge is one of the ablest critics and theorists of the novel at work in England...[His] book is a very good one. It is bold and ambitious but always lucid and explicit, and it returns again and again to specific texts by way of both illustrating and testing its assertions. * The Yale Review * [A] bold, incisive essay which, with admirable lucidity, offers its readers a brilliantly honed and deftly applied analytic tool. * The Times Literary Supplement * [G]ripping in its pursuit of what literature is and how one recognizes it. * English Review *More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 216 mm
Width: 142 mm
Thickness: 30 mm
Weight
485 gr
ISBN-13
978-1-4742-4421-3 (9781474244213)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
10/2015
1st Edition
Bloomsbury Academic
€29.99
Available for download
E-Book
10/2015
1st Edition
Bloomsbury Academic
€29.99
Available for download
Person
David Lodge (CBE) is an internationally acclaimed author and critic. His novels have been awarded the Hawthornden Prize, the Whitbread Book of the Year Award and twice shortlisted for the Booker Prize. His influential works of literary criticism continue to shape the way we read literature today.
Content
Preface
Prefatory note to the Second Impression
Acknowledgements
PART ONE: PROBLEMS AND EXECUTIONS
1. What is Literature
2. George Orwell's 'A Hanging', and 'Michael Lake Describes'
3. Oscar Wilde: 'The Ballad of Reading Gaol'
4. What is Realism?
5. Arnold Bennett: The Old Wives' Tale
6. William Burroughs: The Naked Lunch
7. The Realistic Tradition
8. Two Kinds of Modern Fiction
9. Crticism and Realism
10. The Novel and the Nouvelle Crtique
11. Conclusion to Part One
PART TWO: Metaphor and Metonymy
1. Jackobson's Theory
2. Two Types of Aphasia
3. The Metaphoric and Metonymic Poles
4. Drama and Film
5. Poetry, Prose and the Poetic
6. Types of Description
7. The Executions Revisited
8. The Metonymic Text as Metaphor
9. Metaphor and Context
PART THREE: MODERNISTS, ANTIMODERNISTS AND POSTMODERNIST
1. James Joyce
2. Gertrude Stein
3. Ernest Hemingway
4. D.H. Lawrence
5. Virginia Woolf
6. In the Thirties
7. Philip Larkin
8. Postmodernist Fiction
Appendix A: 'A Hanging' by George Orwell
Appendix B: 'Michael Lake Describes What the Executioner Actually Faces'
Appendix C: Extract from The Naked Lunch by William Burroughs
Notes and References
Index
Prefatory note to the Second Impression
Acknowledgements
PART ONE: PROBLEMS AND EXECUTIONS
1. What is Literature
2. George Orwell's 'A Hanging', and 'Michael Lake Describes'
3. Oscar Wilde: 'The Ballad of Reading Gaol'
4. What is Realism?
5. Arnold Bennett: The Old Wives' Tale
6. William Burroughs: The Naked Lunch
7. The Realistic Tradition
8. Two Kinds of Modern Fiction
9. Crticism and Realism
10. The Novel and the Nouvelle Crtique
11. Conclusion to Part One
PART TWO: Metaphor and Metonymy
1. Jackobson's Theory
2. Two Types of Aphasia
3. The Metaphoric and Metonymic Poles
4. Drama and Film
5. Poetry, Prose and the Poetic
6. Types of Description
7. The Executions Revisited
8. The Metonymic Text as Metaphor
9. Metaphor and Context
PART THREE: MODERNISTS, ANTIMODERNISTS AND POSTMODERNIST
1. James Joyce
2. Gertrude Stein
3. Ernest Hemingway
4. D.H. Lawrence
5. Virginia Woolf
6. In the Thirties
7. Philip Larkin
8. Postmodernist Fiction
Appendix A: 'A Hanging' by George Orwell
Appendix B: 'Michael Lake Describes What the Executioner Actually Faces'
Appendix C: Extract from The Naked Lunch by William Burroughs
Notes and References
Index