
Excess and Masculinity in Asian Cultural Productions
Kwai-Cheung Lo(Author)
State University of New York Press
Published on 2. July 2011
Book
Paperback/Softback
251 pages
978-1-4384-3208-3 (ISBN)
Description
Innovative analysis of the relationship of gender to East Asian economic development.
In Excess and Masculinity in Asian Cultural Productions, Kwai-Cheung Lo explores the excesses associated with the phenomenal economic growth in East Asia, including surplus capital, environmental waste, and the unbalanced ratio of men to women in the region, connecting the production of capitalist "excess" to the production of new forms of transnational Asian masculinity. Lo draws on Lacanian psychoanalysis and Marxist ideas as well as gender theory in his examination of East Asian cultural products such as religious and parenting books, transgender literary fantasies, travel writing, gangster movies, female action heroes, and online games. Through this analysis, Lo argues that the excess of Asia's "masculine" modernization throws into relief the internal inconsistencies of capitalism itself, posing new challenges to the order of global capitalism and suggesting new possible configurations of global modernity.
In Excess and Masculinity in Asian Cultural Productions, Kwai-Cheung Lo explores the excesses associated with the phenomenal economic growth in East Asia, including surplus capital, environmental waste, and the unbalanced ratio of men to women in the region, connecting the production of capitalist "excess" to the production of new forms of transnational Asian masculinity. Lo draws on Lacanian psychoanalysis and Marxist ideas as well as gender theory in his examination of East Asian cultural products such as religious and parenting books, transgender literary fantasies, travel writing, gangster movies, female action heroes, and online games. Through this analysis, Lo argues that the excess of Asia's "masculine" modernization throws into relief the internal inconsistencies of capitalism itself, posing new challenges to the order of global capitalism and suggesting new possible configurations of global modernity.
More details
Series
Language
English
Place of publication
Albany, NY
United States
Target group
Professional and scholarly
US School Grade: College Graduate Student and over
Product notice
Paperback (trade)
Dimensions
Height: 226 mm
Width: 150 mm
Thickness: 18 mm
Weight
363 gr
ISBN-13
978-1-4384-3208-3 (9781438432083)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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Kwai-Cheung Lo
Excess and Masculinity in Asian Cultural Productions
E-Book
08/2010
1st Edition
De Gruyter
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Available for download
Person
Kwai-Cheung Lo is Professor of English and Humanities at Hong Kong Baptist University. He is the author of Chinese Face/Off: The Transnational Popular Culture of Hong Kong.
Content
Acknowledgments
Introduction - Asian Modernity and Its Unassimilable Male Excess
1. Ethnic Ghosts in the Asian Shell: Racial Crossover and Transnational Cinema
2. The Racial Other and Violent Manhood in Murakami Haruki's Writings about China
3. Becoming-Woman in the Male Writings of Hong Kong Chinese Society
4. Fighting Female Masculinity: Modernity and Antagonism in Woman Warrior Films
5. Ethnic Excess in Films about Minorities
6. Clean Modernization, the Web-Marriage Game and Chinese Men in Virtual Reality
Notes
Works Cited
Index
Introduction - Asian Modernity and Its Unassimilable Male Excess
1. Ethnic Ghosts in the Asian Shell: Racial Crossover and Transnational Cinema
2. The Racial Other and Violent Manhood in Murakami Haruki's Writings about China
3. Becoming-Woman in the Male Writings of Hong Kong Chinese Society
4. Fighting Female Masculinity: Modernity and Antagonism in Woman Warrior Films
5. Ethnic Excess in Films about Minorities
6. Clean Modernization, the Web-Marriage Game and Chinese Men in Virtual Reality
Notes
Works Cited
Index