
Kerstin Hensel
University of Wales Press
Published on 19. July 2002
Book
Hardback
192 pages
978-0-7083-1778-5 (ISBN)
Description
Kerstin Hensel is one of the most productive and successful young writers in Germany today. She was born in 1961 in Chemnitz and published both poetry and prose from the late 1970s, both "officially" and "unofficially". She began to dedicate herself to writing in 1987, and now works in a wide variety of genres. She is best known, though, for her novels, short stories and poetry. She has won a wide range of literary prizes and scholarships. Her most important work to date is the story "Tanz am Kanal" (1994), which has received much acclaim and has been widely discussed. Hensel is a GDR writer who has survived particuarly well in the "new Germany", continuing to publish and indeed to flourish since 1989. This volume begins with a previously unpublished story by Hensel and an interview with the author held during her period as a writer-in-residence at the Centre for Contemporary German Literature at University of Wales Swansea. Subsequent essays analyze all aspects of her writing, including poetry, plays and prose and the volume concludes with a full bibliography.
More details
Series
Language
English
Place of publication
Wales
United Kingdom
Product notice
Laminated cover
Illustrations
Not illustrated
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-0-7083-1778-5 (9780708317785)
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Schweitzer Classification
Content
Laudatio Kerstin Hensel, Inge Stephan; die fruhe lyrik Kerstin Hensels, Gerhard Rothbauer; "wie ein festmahl nach langer hungerszeit" - Don Juan and desire in "Herr Johannes", Lyn Marven; fishy tales - Kerstin Hensel, "Ulriche und Juhleborn", Mererid Puw Davies; wiebliche manner, mannliche weiber - gender in transit, Birgit Dahlke; im blick die >eigene poetik<, Eva Kaufmann; "not fate - just history" - stories and histories in "Tanz am Kanal" and "Gipshut", Reinhild Steingrover; dancing the (un)state(d) - narrative ambiguity in Kerstin Hensel's "Tanz am Kanal", Jennifer Hosek; das komische begreifen, ohne as fassen zu konnen - gegenwelten in "Gipshut", Antje Baumann; "zwischen groteske und menschentheater" - zur dramatik, Johannes Birgfeld.