Fashion in Multiple Chinas
Chinese Styles in the Transglobal Landscape
I.B. Tauris (Publisher)
Book
Paperback/Softback
272 pages
978-1-78453-865-1 (ISBN)
Description
Much has been written about the transformation of China from being a clothing-manufacturing site to a fast-rate fashion consuming society. Less, however, has been written on the making of Chinese fashion. The expert contributors to Fashion in Multiple Chinas explore how the many Chinese fashions operate across the widespread, fragmented and diffused, Chinese diaspora. They demonstrate how the making of Chinese fashion is composed of numerous layers, often involving a web of global entanglements between manufacturing and circulation, retailing and branding. They cover the mechanics of the PRC fashion industry, the creative economy of Chinese fashion, its retail and branding, and the cultural identity of Chinese fashion from the diasporas comprising the transglobal landscape of fashion production.
Reviews / Votes
`This impressive book reframes all general and many specialist understandings of Chinese fashion. It turns on its head nearly everything I was taught and have imagined about dress in China, from the period of Mao to the present day.' - Peter McNeil, Distinguished Professor in Design History, University of Technology, SydneyMore details
Series
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
36 black and white illustrations
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-1-78453-865-1 (9781784538651)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Persons
Wessie Ling is Reader in Fashion at Northumbria University and a practising visual artist. She is the author of Fusionable Cheongsam and has written on Chinese fashion for the Encyclopedia of East Asian Design (2016). Current projects include a special issue on Transglobal Fashion in Textile: The Journal of Cloth and Culture. She is on the Editorial Board of Catwalk: The Journal of Fashion, Beauty and Style. Her works have been exhibited at OVADA in Oxford, at the Brunei Gallery, SOAS, and at the Victoria & Albert Museum among others.
Simona Segre Reinach is Professor of Fashion Studies at Bologna University. She is a contributor to the Berg Encyclopedia of World Dress and Fashion and The Fashion History Reader and has written for journals including Fashion Theory, Fashion Practice, and The International Journal of Fashion Studies. In 2013, she curated the exhibit 80's-90's Facing Beauties: Italian Fashion and Japanese Fashion at a Glance at the Museo della citta di Rimini. She is on the Editorial Board of Fashion Theory, The International Journal of Fashion Studies and the Dress Cultures Series at I.B. Tauris.
Simona Segre Reinach is Professor of Fashion Studies at Bologna University. She is a contributor to the Berg Encyclopedia of World Dress and Fashion and The Fashion History Reader and has written for journals including Fashion Theory, Fashion Practice, and The International Journal of Fashion Studies. In 2013, she curated the exhibit 80's-90's Facing Beauties: Italian Fashion and Japanese Fashion at a Glance at the Museo della citta di Rimini. She is on the Editorial Board of Fashion Theory, The International Journal of Fashion Studies and the Dress Cultures Series at I.B. Tauris.
Content
Introduction - Multiple Chinas
Wessie Ling & Simone Segre-Reinach
Section 1 PRC Chinese Fashion Industry
Textiles and Apparel in the Mao years: Uniformity, Variety, and the Limits of Autarchy
- Antonia Finnane & Peidong Sun
2. Local Productions, Global Connections: Making Fashion in China
- Jianhau Zhao
3. Designed in China: Multiple Approaches to Fashion and Retail -
Juanjuan Wu, Yue Hu, Lei Xu, Marilyn R. Delong
4. `Creative Economy' in China: A Case Study of Shanghai's Fashion Industries
- Xin Gu
Section 2 Fashion in other Chinas
5. Does Fashion Identity Matter? The Cases of Hong Kong and Taiwan -
Wessie Ling
6. Multiple Cosplay: Raiding the Dressing Up Box across Hong Kong and China -
Anne Pierson-Smith
7. Hybrid Fashion: A Study of Singapore's Cosmopolitan Identity from the 1950s to the Present
May Khuen Chung
Section 3 Chinese Fashion and the West
8. Romeo Gigli Reborn in China? - Simona Segre-Reinach
9. Chinese Fashion Designers - Becoming International -
Hazel Clark
Bibliography
Index
Wessie Ling & Simone Segre-Reinach
Section 1 PRC Chinese Fashion Industry
Textiles and Apparel in the Mao years: Uniformity, Variety, and the Limits of Autarchy
- Antonia Finnane & Peidong Sun
2. Local Productions, Global Connections: Making Fashion in China
- Jianhau Zhao
3. Designed in China: Multiple Approaches to Fashion and Retail -
Juanjuan Wu, Yue Hu, Lei Xu, Marilyn R. Delong
4. `Creative Economy' in China: A Case Study of Shanghai's Fashion Industries
- Xin Gu
Section 2 Fashion in other Chinas
5. Does Fashion Identity Matter? The Cases of Hong Kong and Taiwan -
Wessie Ling
6. Multiple Cosplay: Raiding the Dressing Up Box across Hong Kong and China -
Anne Pierson-Smith
7. Hybrid Fashion: A Study of Singapore's Cosmopolitan Identity from the 1950s to the Present
May Khuen Chung
Section 3 Chinese Fashion and the West
8. Romeo Gigli Reborn in China? - Simona Segre-Reinach
9. Chinese Fashion Designers - Becoming International -
Hazel Clark
Bibliography
Index