
Celluloid Comrades
Representations of Male Homosexuality in Contemporary Chinese Cinemas
Song Hwee Lim(Author)
University of Hawai'i Press
Will be published approx. on 31. August 2006
Book
Paperback/Softback
364 pages
978-0-8248-3077-9 (ISBN)
Description
Offers an introduction to the representation of male homosexuality in Chinese cinemas. This work states that representations of male homosexuality in Chinese film are polyphonic and multifarious, posing a challenge to monolithic and essentialized constructions of both ""Chineseness"" and ""homosexuality.
Reviews / Votes
"Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book - one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." - Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University "Celluloid Comrades is a timely demonstration of the importance of queer studies in the field of transnational Chinese cinemas. Lim dissects gay sexuality in selective Chinese-language films, and vigorously contests commonly accepted critical paradigms and theoretical models. Readers will find a provocative, powerful voice in this new book." - Sheldon H. Lu, Professor of Comparative Literature, University of California at Davis"More details
Language
English
Place of publication
Honolulu, HI
United States
Target group
Professional and scholarly
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
10 illustrations
Dimensions
Height: 227 mm
Width: 161 mm
Thickness: 18 mm
Weight
440 gr
ISBN-13
978-0-8248-3077-9 (9780824830779)
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Schweitzer Classification
Person
Song Hwee Lim teaches transnational Chinese cinemas and contemporary Chinese literature at the School of Modern Languages and Cultures, University of Leeds, where he is also co-director of the MA in World Cinemas Program.