
Reel Arguments
Film, Philosophy, And Social Criticism
Andrew Light(Author)
Routledge (Publisher)
1st Edition
Published on 5. September 2019
Book
Hardback
212 pages
978-0-367-31763-8 (ISBN)
Description
Reel Arguments collects an integrated series of essays addressing the role of film as social criticism. By looking at films and the creators of such films as Alice in the Cities, Enemy of the State, The Conversation, Falling Down, City of Hope, and Matewan, Light persuasively argues that film can be both highly philosophical and influential on publ
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 16 mm
Weight
462 gr
ISBN-13
978-0-367-31763-8 (9780367317638)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
03/2018
1st Edition
Routledge
€41.99
Available for download

E-Book
03/2018
Routledge
€41.99
Available for download

Book
01/2003
1st Edition
Westview Press Inc
€47.90
Shipment within 10-20 days
Book
01/2003
1st Edition
Westview Press Inc
€126.28
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Person
Andrew Light is Co-Director of the Applied Philosophy Group in the Department of Humanities and Social Sciences in the Professions at New York University, and Co-Editor of the journal Philosophy and Geography. He has edited or co-edited thirteen anthologies, including Moral and Political Reasoning in Environmental Practice, Technology and the Good Life?, and The Aesthetics of Everyday Life.
Content
Introduction: Film as Social Philosophy -- Film, Technology, and Built Space -- Enemies of the State? Electronic Surveillance and the Neutrality of Technology -- Wim Wenders's Everyday Aesthetics -- Boyz in the Woods: Los Angeles as Urban Wilderness -- Film, Group Interests, and Political Identity -- John Sayles on Class Interest -- Spike Lee, Chico Mendes, and the Representation of Political Identity