
Alison Light - Inside History
From Popular Fiction to Life-Writing
Alison Light(Author)
Edinburgh University Press
Published on 25. October 2021
Book
Hardback
244 pages
978-1-4744-8155-7 (ISBN)
Description
Alison Light - Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction.
Reviews / Votes
[Alison Light - Inside History] enthusiastically and eloquently moves in many different directions. It is a work of fine writing as well as pioneering scholarship. Though an intensely personal writer, Light is always aware of her audience. She refuses to talk down to them and writes in a manner that is friendly, learned and accessible. She is one of the most human and humane writers of Modern British History at the moment and for that she richly deserves to have this collection of essays read widely by all those interested in British history, feminism and literature. -- Matthew C. Hendley, SUNY Oneonta * Gender & History * Alison Light writes with brilliance and wit. For her history is made up of memory and dreams, dreams are a common inheritance, every human life - however abject its conditions - has power.Light's essays dazzle and unsettle. * Sally Alexander, Goldsmith's College, London * It's to be hoped [...] that this collection is a way-marker in Light's writing career rather a valedictory. It serves as a reminder of how much has changed in literary studies and UK Higher Education more generally in the past thirty years, as well as charting the intellectual development of a scholar whose work has always sought to reach beyond the confines of the academy. -- Victoria Stewart * Women: a cultural review * It's to be hoped [...] that this collection is a way-marker in Light's writing career rather a valedictory. It serves as a reminder of how much has changed in literary studies and UK Higher Education more generally in the past thirty years, as well as charting the intellectual development of a scholar whose work has always sought to reach beyond the confines of the academy. -- Victoria Stewart * Women: a cultural review * Fascinating. . .?Alison Light - Inside History?is itself a feminist library awaiting Light's devoted readers as well as new feminists eager to understand how Light's past writings and her writings about the past, define the scope of literary and cultural studies. -- Kristin Bluemel, Monmouth UniversityMore details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 16 mm
Weight
526 gr
ISBN-13
978-1-4744-8155-7 (9781474481557)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
11/2021
1st Edition
Edinburgh University Press
€25.99
Available for download

E-Book
11/2021
1st Edition
Edinburgh University Press
€25.99
Available for download
Person
Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professorial Fellow at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford. She is a Fellow of the Royal Society of Literature and the author of a number of books, including Common People: The History of an English Family (Penguin 2014), which was shortlisted for the Baillie Gifford prize, and her most recent, A Radical Romance, which won the 2020 PEN Ackerley prize for memoir. She writes regularly for the London Review of Books.
Author
Honorary Professor in the School of Literatures, Languages and Cultures, Honorary Professor in the English Department and Senior Research Fellow in English and HistoryUniversity of Edinburgh, University College, London and Pembroke College, Oxford
Content
Series Editors' PrefaceAcknowledgements
Introduction: Reading Oneself Backwards??
Part I From Fiction to Nation
1. 'Returning to Manderley': Romance Fiction, Female Sexuality and Class
2. Fear of the Happy Ending: The Color Purple, Reading and Racism
3. Young Bess: Historical Novels and Growing Up
4. Outside History? Stevie Smith, Women Poets and the National Voice
Part II Short Cuts
5. The Vampire and the Dog: Caryl Churchill's Mad Forest?
6. Women Writers and Conservative Sensibilities
7. Against Empathy
8. The Mighty Mongrel: on Biography
9. Hitchcock's Rebecca: A Woman's Film?
10. Re-reading Great Expectations
11. The Figure of the Servant
12. Experiments in Memoir-writing
Part III Writing Lives
13. A Woolf in Dog's Clothing: Flush??
14. Fascism, Fear and Feminism: Virginia Woolf's Three Guineas
15. Addicted to Diaries: The Romantic Journals of Jean Lucey Pratt
16. Writing the Lives of 'Common People': Reflections on the Idea of Obscurity?
Index
Introduction: Reading Oneself Backwards??
Part I From Fiction to Nation
1. 'Returning to Manderley': Romance Fiction, Female Sexuality and Class
2. Fear of the Happy Ending: The Color Purple, Reading and Racism
3. Young Bess: Historical Novels and Growing Up
4. Outside History? Stevie Smith, Women Poets and the National Voice
Part II Short Cuts
5. The Vampire and the Dog: Caryl Churchill's Mad Forest?
6. Women Writers and Conservative Sensibilities
7. Against Empathy
8. The Mighty Mongrel: on Biography
9. Hitchcock's Rebecca: A Woman's Film?
10. Re-reading Great Expectations
11. The Figure of the Servant
12. Experiments in Memoir-writing
Part III Writing Lives
13. A Woolf in Dog's Clothing: Flush??
14. Fascism, Fear and Feminism: Virginia Woolf's Three Guineas
15. Addicted to Diaries: The Romantic Journals of Jean Lucey Pratt
16. Writing the Lives of 'Common People': Reflections on the Idea of Obscurity?
Index