
Polisonics
Collective Listening and the Politics of Sound
Focal Press
1st Edition
Will be published approx. on 29. June 2026
Book
Hardback
212 pages
978-1-032-04734-8 (ISBN)
Description
Bringing together contributors with backgrounds in ethnography, theatre, design, music, and sound, Polisonics: Collective Listening and the Politics of Sound demonstrates the importance of sound in design and how the sonic offers alternatives to dominant, singular, and technologically determined narratives.
From sonic street interventions to rural field recording, water fountains to community listening sessions, and Palestinian Hip-Hop to sound for VR, this book foregrounds participatory modes of making and collective engagement, particularly those rooted in musical cultures. It examines how relational approaches to sound can help reshape paradigms and challenge systemic inequalities, build communities, and resist structural injustice.
With chapters on areas including audio description, sound systems, and the use of machine listening as a tool for immigration control, Polisonics will be of interest to activists, academics, and musicians as well as those studying and working in sound design, ethnography, social justice, and theatre.
From sonic street interventions to rural field recording, water fountains to community listening sessions, and Palestinian Hip-Hop to sound for VR, this book foregrounds participatory modes of making and collective engagement, particularly those rooted in musical cultures. It examines how relational approaches to sound can help reshape paradigms and challenge systemic inequalities, build communities, and resist structural injustice.
With chapters on areas including audio description, sound systems, and the use of machine listening as a tool for immigration control, Polisonics will be of interest to activists, academics, and musicians as well as those studying and working in sound design, ethnography, social justice, and theatre.
More details
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Academic and Undergraduate Advanced
Illustrations
3 s/w Zeichnungen, 10 s/w Photographien bzw. Rasterbilder, 13 s/w Abbildungen
3 Line drawings, black and white; 10 Halftones, black and white; 13 Illustrations, black and white
Dimensions
Height: 234 mm
Width: 156 mm
Weight
453 gr
ISBN-13
978-1-032-04734-8 (9781032047348)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
approx. 06/2026
1st Edition
Focal Press
€57.99
Not yet available

Book
approx. 06/2026
1st Edition
Focal Press
€52.50
Not yet published

E-Book
approx. 06/2026
1st Edition
Focal Press
€57.99
Not yet available
Persons
Matt Lewis is an artist and researcher based in Margate and London. Informed by a background in music, he is passionate about the importance of coming together in groups to make things happen. He has a PhD from Goldsmiths and works at the Royal College of Art in London, where he teaches sound and is part of the Voicing Sound research group.
Manal Massalha is a London-based sociologist, urban ethnographer, and social documentary photographer/videographer. Manal holds a PhD from the London School of Economics, and her practice explores the everyday and the mundane, the human and the urban, the cultural and the social, and the political and the economic.
Manal Massalha is a London-based sociologist, urban ethnographer, and social documentary photographer/videographer. Manal holds a PhD from the London School of Economics, and her practice explores the everyday and the mundane, the human and the urban, the cultural and the social, and the political and the economic.
Content
Introduction 1. Sounding and Listening in Place: Four Events in the Nottingdale Community After the Grenfell Tower Fire 2. A Manifesto for Integrating Audio Description in Design Practice 3. For Sound to Emanate from Sites: Or, Some Notes on Black Sonic Bildung 4. Re-Situating Machine Listening: The Question of "Justice" in the Voice Biometry Apparatus of the German Asylum System 5. Speaking Thr-o-ugh: Putting it Out, Speaking, Listening, Disrupting? 6. Hearing the Difference: Tradition, Futurity, and the Black Time of Sounding in Channel One Sound System's Sessions 7. Ethnographies of Listening: Settler-Colonial Violence, Erasure, and Convivial Possibilities 8. Noise (Unk)now(n) 9. Soundwashing