
Artwear
Fashion and Anti-Fashion
Melissa Leventon(Author)
Thames & Hudson Ltd (Publisher)
Published on 2. May 2005
Book
Paperback/Softback
160 pages
978-0-500-28537-4 (ISBN)
Description
A crocheted wool coat of exuberant textures and glowing colours; a shibori dyed and pleated silk vest of baroque sensuousness; a headdress of ribbon intricately ruched in the shape of a leaping fish; an evening gown made from shredded dollar bills; a kimono that carries art appliqued on its sleeve; a coat of many arms - these are just a few of the beautiful, imaginative, provocative, even surreal works of wearable art included in this richly illustrated book.
Artwear sets the context for the genre as the latest in the long line of aesthetic dress reforms that began with the Arts and Crafts movement. It goes on to trace the history of the art form as it developed out of the hippie styles and studio fibre art of the 1960s and 1970s until today, highlighting many of its leading practitioners and discussing its characteristic forms and processes.
Artwear sets the context for the genre as the latest in the long line of aesthetic dress reforms that began with the Arts and Crafts movement. It goes on to trace the history of the art form as it developed out of the hippie styles and studio fibre art of the 1960s and 1970s until today, highlighting many of its leading practitioners and discussing its characteristic forms and processes.
More details
Language
English
Place of publication
London
United Kingdom
Illustrations
12 Illustrations, black and white; 185 Illustrations, color
Dimensions
Height: 305 mm
Width: 230 mm
ISBN-13
978-0-500-28537-4 (9780500285374)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Melissa Leventon was Curator of Textiles at the Fine Arts Museums of San Francisco
from 1992-2002. She now works as an independent consultant specializing in
costumes and textiles with the Curatix Group, which she founded in 2000.
from 1992-2002. She now works as an independent consultant specializing in
costumes and textiles with the Curatix Group, which she founded in 2000.
Content
Introduction * Putting Wearable Art in Context * Wearable Art in the USA * Models, Methods and Meanings * Wearable Art Outside the USA * Stretching the Boundaries - Conceptual and Performance Pieces