
From Russia With Doubt
The Quest to Authenticate 181 Would-be Masterpieces of the Russian Avant-Garde
Adam Lerner(Author)
Princeton Architectural Press
Published on 1. October 2013
Book
Paperback/Softback
176 pages
978-1-61689-162-6 (ISBN)
Description
In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twentiethcentury Russian avantgarde masters, the 172 canvases had been acquired by amateur collectors Ron and Roger Pollard from a mysterious seller in Germany they met on eBay, who claimed the paintings were found in an abandoned shipping container held in German customs since the 1980s. In From Russia with Doubt, Lerner skillfully weaves together the tale from the initial eBay find to his controversial decision to exhibit the collection, guiding readers through the looking glass into the Byzantine corridors of the art world and beyond describing the owners' quest to authenticate and appraise the would-be masterpieces. What he finds raises powerful questions about our own relationship to art.
More details
Language
English
Place of publication
New York
United States
Dimensions
Height: 242 mm
Width: 189 mm
Thickness: 14 mm
Weight
550 gr
ISBN-13
978-1-61689-162-6 (9781616891626)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Adam Lerner
From Russia with Doubt
The Quest to Authenticate 181 Would-Be Masterpieces of the Russian Avant-Garde
E-Book
09/2015
Princeton Architectural Press
€38.49
Available for download
Person
Adam Lerner, PhD is Director and Chief Animator at the Museum of Contemporary Art Denver (MCA Denver). With a PhD from the Johns Hopkins University and a Master's degree from Cambride, he has organised numerous exhibitions of contemporary art as nontraditional subjects, such as household junk collections, educational silent films and unauthenticated art.