The Principle of Rapid Peering
Published on 2. May 2024
Book
Paperback/Softback
96 pages
978-1-4721-5886-4 (ISBN)
Description
Self-seeding wind
is a wind of ever-replenishing breath.
-from 'The Walk, or The Principle of Rapid Peering'
The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'.
Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice.
Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.
Features drawings by the poet.
is a wind of ever-replenishing breath.
-from 'The Walk, or The Principle of Rapid Peering'
The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'.
Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice.
Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.
Features drawings by the poet.
Reviews / Votes
As a poet, Legris is a master of the curving tangent, working her way around a central theme while simply inclining, dropping clippings, allowing the reader to follow, suspended, her careful meanderings, often grounded by a hard-working title or subtle allusion * Los Angeles Review of Books * Sylvia Legris's Garden Physic is the most refreshing book of the year. There's nothing around quite like it * The Sunday Times * Sensuous, brainy and cardiovascular, Garden Physic is a cutting-edge ode to plants, teeming with human knowledge and natural mystery, accompanied by gem-like illustrations by the poet * Guardian * A dazzling, innovative storehouse of delight -- Rebecca Tamas on Garden PhysicMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Little, Brown Book Group
Illustrations
3 illustrations (b/w, integrated)
Dimensions
Height: 193 mm
Width: 122 mm
Thickness: 12 mm
Weight
100 gr
ISBN-13
978-1-4721-5886-4 (9781472158864)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Person
Sylvia Legris was born in Winnipeg, Manitoba. Her collection Garden Physic was chosen as one of the Best Poetry Books of the Year by The Times and CBC/Radio-Canada. Her other poetry collections include The Hideous Hidden, Pneumatic Antiphonal, and Nerve Squall, winner of the Griffin Poetry Prize and the Pat Lowther Award. She lives in Saskatoon, Saskatchewan.