
Past-Present
Essays on Historicism in Art from Donatello to Picasso
Irving Lavin(Author)
University of California Press
Published on 2. March 1993
Book
Hardback
496 pages
978-0-520-06816-2 (ISBN)
Description
This is a fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's "David", Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget - a work of art, a significant text, an idea - sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand".Thus, does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past.
Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art.
Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art.
More details
Series
Language
English
Place of publication
Berkerley
United States
Target group
College/higher education
Professional and scholarly
Product notice
Cloth over boards
Illustrations
12 colour and 355 b&w illustrations
Weight
1860 gr
ISBN-13
978-0-520-06816-2 (9780520068162)
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Schweitzer Classification
Person
Irving Lavin, one of America's most highly regarded art historians, occupies the permanent chair in art history at the Institute for Advanced Study in Princeton. He is the author of Bernini and the Unity of the Visual Arts (1980) and numerous other books and essays on the history of art ranging from late antiquity to Jackson Pollock.