
Zombies, Werewolves, Robots, and Extraterrestrials
Actor Training and the Performance of Non-Human Characters
Gerald Large(Author)
Routledge (Publisher)
1st Edition
Will be published approx. on 13. March 2026
Book
Paperback/Softback
208 pages
978-1-041-07195-2 (ISBN)
Description
Zombies, Werewolves, Robots, and Extraterrestrials provides a broad survey of acting theory and training technique through the lens of the performance of non-human characters found in horror and science fiction film, television, and theater.
Specifically, the book examines the performance challenges of undead characters (zombies, vampires, Frankenstein's monster), characters that transform from human to non-human (werewolves, human-flies, Dr. Jekyll/Mr. Hyde, and others), mechanical creatures (robots, androids, cyborgs) and extraterrestrials - and then suggests a wide array of training methods to meet each challenge. Theories and training methods are taken from Michael Chekhov, Vsevolod Meyerhold, Antonin Artaud, Jerzy Grotowski, German Expressionist dance, Tadashi Suzuki, Lev Kuleshov, Jacques Copeau and Jacques Lecoq, Bertolt Brecht, Francois Delsarte, and others. Each chapter includes numerous actor training exercises of each technique, journaling opportunities for self-reflection, and lists of films to watch and books to read to further one's knowledge.
This book is an excellent resource for actors, acting teachers, and both academic and professional directors with an interest in broadening their knowledge of actor training, and their skill base as both students and working professionals.
Specifically, the book examines the performance challenges of undead characters (zombies, vampires, Frankenstein's monster), characters that transform from human to non-human (werewolves, human-flies, Dr. Jekyll/Mr. Hyde, and others), mechanical creatures (robots, androids, cyborgs) and extraterrestrials - and then suggests a wide array of training methods to meet each challenge. Theories and training methods are taken from Michael Chekhov, Vsevolod Meyerhold, Antonin Artaud, Jerzy Grotowski, German Expressionist dance, Tadashi Suzuki, Lev Kuleshov, Jacques Copeau and Jacques Lecoq, Bertolt Brecht, Francois Delsarte, and others. Each chapter includes numerous actor training exercises of each technique, journaling opportunities for self-reflection, and lists of films to watch and books to read to further one's knowledge.
This book is an excellent resource for actors, acting teachers, and both academic and professional directors with an interest in broadening their knowledge of actor training, and their skill base as both students and working professionals.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Professional Practice & Development and Professional Training
Illustrations
20 s/w Photographien bzw. Rasterbilder, 20 s/w Abbildungen
20 Halftones, black and white; 20 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 11 mm
Weight
287 gr
ISBN-13
978-1-041-07195-2 (9781041071952)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Gerald Large
Zombies, Werewolves, Robots, and Extraterrestrials
Actor Training and the Performance of Non-Human Characters
E-Book
03/2026
Routledge
€55.49
Available for download

Gerald Large
Zombies, Werewolves, Robots, and Extraterrestrials
Actor Training and the Performance of Non-Human Characters
E-Book
03/2026
Routledge
€55.49
Available for download

Gerald Large
Zombies, Werewolves, Robots, and Extraterrestrials
Actor Training and the Performance of Non-Human Characters
Book
approx. 03/2026
1st Edition
Routledge
€213.50
Not yet published
Person
Gerald Large is a Professor of Theater and Drama at Whatcom Community College in Washington State. He holds an MFA in Acting from Ohio University, and a PhD in Theatre and Drama from the University of Wisconsin-Madison.
Content
Acknowledgements
Introduction
Chapter 1: The Challenge of Performing Non-human Characters
(Stanislavski)
Chapter 2: From the Living-Dead to the Un-Dead
(M. Chekhov, V. Meyerhold)
Chapter 3: Metamorphosis in Werewolves, Human-flies and Sundry Creatures
(Artuad, Grotowski, German Expressionist Dance)
Chapter 4: Robots, Androids, and Cyborgs
(Suzuki, Meyerhold, Kuleshov, Copeau, Lecoq)
Chapter 5: Extraterrestrials
(Brecht, Austin, Delsarte)
Works Cited
Index
Introduction
Chapter 1: The Challenge of Performing Non-human Characters
(Stanislavski)
Chapter 2: From the Living-Dead to the Un-Dead
(M. Chekhov, V. Meyerhold)
Chapter 3: Metamorphosis in Werewolves, Human-flies and Sundry Creatures
(Artuad, Grotowski, German Expressionist Dance)
Chapter 4: Robots, Androids, and Cyborgs
(Suzuki, Meyerhold, Kuleshov, Copeau, Lecoq)
Chapter 5: Extraterrestrials
(Brecht, Austin, Delsarte)
Works Cited
Index