Textual Intersections.

Contents Acknowledgements Rachael Langford: Introduction: Intertextual, Intermedial, Intersections Eduardo Ralickas: Figuring the Artistic Subject: a Genealogy of Nineteenth-Century Dandyism Sarah Hibberd: Monsters and the Mob: Depictions of the Grotesque on the Parisian Stage, 1826-1836 Birgit Haas: Staging Colours: Edward Gordon Craig and Wassily Kandinsky Gustav Frank: Symptoms of Epistemological Change: Intersections with Music and the Visual Arts in the German Novel of the Long Nineteenth Century Ricarda Schmidt: How to Get Past Your Editor: E.T.A. Hoffmann's Don Juan as a Palimpsest Andrew Ginger: Fragments and Time: Aspects of Revolutionary Change, Literature and Painting in Spain (1790-1870) Steffan Davies: Geschichte Wallensteins: Ranke's Problem of Narrative - and Schiller's Solution? David Scott: Generical Intersections in Nineteenth-Century French Painting and Literature: Manet's La Musique aux Tuileries and Baudelaire's Petits Poèmes en prose Albert Boime: Manet's A Bar at the Folies-Bergère as an Allegory of Nostalgia Mairi Liston: Theatrical Intersections: an Entry from the Goncourts' Journal, 1 March 1862 Katherine Ashley: Literary Acrobatics: Edmond de Goncourt's Les Frères Zemgano Deirdre O'Grady: Decapitation, Dissection and Symbolic Deformity: the Crisis of Italian Romanticism: Hugo, Piave and Boito Guiliana Pieri: The Effect of the Pre-Raphaelites on the Cultural Consciousness of D'Annunzio Eda Dobrovetsky: Jewish Motifs in Mid-Nineteenth Century Russian Music, Art and Art Criticism Anastasia Siopsi: Dreaming the Myth of 'Wholeness': Romantic Interpretations of Ancient Greek Music in Greece (1890-1910) Marion Schmid: Proust and the Fantastic: Metaphor, Metamorphosis and the Visual Arts Notes on Contributors Index of Proper Names