Stardom, Italian Style
Screen Performance and Personality in Italian Cinema
Published on 27. March 2008
Book
Paperback/Softback
312 pages
978-0-253-22008-0 (ISBN)
Description
Marcia Landy examines the history of Italian celebrity culture and ponders the changing qualities of stardom in the 20th and 21st centuries. She considers the historical conditions for the rise of stardom in the context of various media, from the silent era to contemporary media, tracking how stardom shapes national and international identities.
The phenomenon of the diva in the early European cinema, the invention of new stars in the sound cinema, the postwar impact on stardom through the introduction of changing forms of narration in popular genres, and the contributions to the changing faces of stardom through the films and the personas of such auteurs as Rosselini, Visconti, Fellini, and Pasolini are examined in Stardom, Italian Style. Landy's genealogy of Italian star images identifies their connections to social history, landscape and geography, conceptions of femininity and masculinity, the physical and virtual body, regionalism, technology, and leisure.
The phenomenon of the diva in the early European cinema, the invention of new stars in the sound cinema, the postwar impact on stardom through the introduction of changing forms of narration in popular genres, and the contributions to the changing faces of stardom through the films and the personas of such auteurs as Rosselini, Visconti, Fellini, and Pasolini are examined in Stardom, Italian Style. Landy's genealogy of Italian star images identifies their connections to social history, landscape and geography, conceptions of femininity and masculinity, the physical and virtual body, regionalism, technology, and leisure.
Reviews / Votes
"Writing on the nexus of aesthetics and politics, Landy (Univ. of Pittsburgh) prefers the filmic text over extra-filmic elements. She describes how in the Italian silent cinema, the "diva" and "divo" bridged tradition and modernity; how, in 1930s sound films, the star fired popular culture fascination but was de-idealized; and how Mussolini used cinema to project his virile image. Then, writes the author, as neorealism reworked old genres it remade old stars and reconceived the male and female body. Anna Magnani typified the resurgence of stardom. In the popular genres in the 1950s, stars embodied the quest for national identity in the changing social milieu. In discussing the 1960s, Landy looks at the social concern of comedies and how international stars (e.g., Marcello Mastroianni, Sophia Loren, Vittorio Gassman, Alberto Sordi, Monica Vitti) showed commonsense surviving in a threatening climate. Landy also discusses television, co-productions, the spaghetti western, horror films, and the emerging stardom of the director (Federico Fellini, Lena Wertmueller, Roberto Benigni, Dario Argento). A postscript proffers Italian President Silvio Berlusconi as televisual star, a wishful reflection of power and affluence. This comprehensive study of Italian stardom is closely argued, clearly written, and rich in detail and insight. Summing Up: Recommended. Lower-division undergraduates through faculty and professionals. - Choice"-M. Yacowar, emeritus, University of Calgary, December 2008"Stardom, Italian Style is a worthy introduction for casual and undergraduate readers, and contains valuable insights that Italian film specialists will enjoy."-Film & History
"Marcia Landy has produced a wonderful and in many ways path-breaking examination of the history of Italian stardom from silent film to the present. . . . The book is rich in stimulating observations and thought-provoking propositions. As with other works by Professor Landy it is the fruit of an ideal blend of theoretical insights and historically grounded film analysis."-Ruth Ben-Ghiat, New York University
More details
Language
English
Place of publication
Bloomington, IN
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
35 b&w illus.
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 16 mm
Weight
468 gr
ISBN-13
978-0-253-22008-0 (9780253220080)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Marcia Landy is Distinguished Service Professor of English/Film Studies with a secondary appointment in the Department of French and Italian Languages and Literatures at the University of Pittsburgh. Her books include Monty Python's Flying Circus; Stars (edited with Lucy Fischer); The Historical Film; Italian Film; Queen Christina (with Amy Villarejo); and Fascism in Film: The Italian Commercial Cinema, 1931-1943.
Content
Contents
Acknowledgments
Introduction
1. Eloquent Bodies: The Cinema of Divismo
2. The Stars Talk
3. Stars amidst the Ruins: The Old and the New
4. Popular Genres and Stars
5. Starring Directors and Directing Stars: The Cinematic Landscape and Its Changing Bodies
Epilogue: An End to Stardom?
A Postscript
Notes
Bibliography
Index
Acknowledgments
Introduction
1. Eloquent Bodies: The Cinema of Divismo
2. The Stars Talk
3. Stars amidst the Ruins: The Old and the New
4. Popular Genres and Stars
5. Starring Directors and Directing Stars: The Cinematic Landscape and Its Changing Bodies
Epilogue: An End to Stardom?
A Postscript
Notes
Bibliography
Index