Long Take
Will be published approx. on 28. February 2026
Book
Hardback
240 pages
978-1-5179-0328-2 (ISBN)
Description
A multifaceted portrait of the great Japanese director
For years, Akira Kurosawa resisted writing about himself. "It would turn out to be nothing but talk about movies," he said. "In other words, take myself, subtract movies, and the result is zero." The memoir he finally started serializing in 1978, Something like an Autobiography, ended with Rashomon, the film that launched him on the world's stage in 1950. Long Take, first published in Japan shortly after Kurosawa's death in 1998, at last tells the story of the rest of his life.
By turns intimate, provocative, and revealing, Long Take creates a dynamic portrait of Kurosawa from his own writings; his conversations with writer Inoue Hisashi and director Yamada Yoji; and essays by his daughter and colleague Kurosawa Kazuko, who details the collaborative history of the "Kurosawa crew." It features a wealth of industry lore, cultural reference points, inside jokes with other filmmakers and writers, and backstories for his own productions, from the earliest to the last. Of particular interest to all cinephiles is an annotated list of Kurosawa's 100 favorite films.
A survey of Kurosawa's prodigious career, this book situates the visionary in the media milieu of his youth, in the literature and performing arts of twentieth-century Japan and Hollywood, and among the myriad films he loved, admired, and referenced, including Japanese silent film and comedy as well as productions from India, Iran, and Soviet-era Russia. Now available to English readers for the first time, Long Take offers a lasting picture of the peerless filmmaker in his element.
For years, Akira Kurosawa resisted writing about himself. "It would turn out to be nothing but talk about movies," he said. "In other words, take myself, subtract movies, and the result is zero." The memoir he finally started serializing in 1978, Something like an Autobiography, ended with Rashomon, the film that launched him on the world's stage in 1950. Long Take, first published in Japan shortly after Kurosawa's death in 1998, at last tells the story of the rest of his life.
By turns intimate, provocative, and revealing, Long Take creates a dynamic portrait of Kurosawa from his own writings; his conversations with writer Inoue Hisashi and director Yamada Yoji; and essays by his daughter and colleague Kurosawa Kazuko, who details the collaborative history of the "Kurosawa crew." It features a wealth of industry lore, cultural reference points, inside jokes with other filmmakers and writers, and backstories for his own productions, from the earliest to the last. Of particular interest to all cinephiles is an annotated list of Kurosawa's 100 favorite films.
A survey of Kurosawa's prodigious career, this book situates the visionary in the media milieu of his youth, in the literature and performing arts of twentieth-century Japan and Hollywood, and among the myriad films he loved, admired, and referenced, including Japanese silent film and comedy as well as productions from India, Iran, and Soviet-era Russia. Now available to English readers for the first time, Long Take offers a lasting picture of the peerless filmmaker in his element.
More details
Language
English
Place of publication
Minnesota
United States
Target group
College/higher education
Illustrations
32 black and white illustrations
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 12 mm
Weight
425 gr
ISBN-13
978-1-5179-0328-2 (9781517903282)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Akira Kurosawa (1910-1998) was a Japanese filmmaker, widely considered one of the most important and influential in the history of cinema. He directed thirty films, including Drunken Angel (1948), Rashomon (1950), Seven Samurai (1954), The Hidden Fortress (1958), and Kagemusha (1980).
Anne McKnight is associate professor of Japanese and comparative literature at the University of California, Riverside. She is author of Nakagami, Japan: Buraku and the Writing of Ethnicity, also published by the University of Minnesota Press.
Anne McKnight is associate professor of Japanese and comparative literature at the University of California, Riverside. She is author of Nakagami, Japan: Buraku and the Writing of Ethnicity, also published by the University of Minnesota Press.