
Program Music
Jonathan Kregor(Author)
Cambridge University Press
Published on 15. January 2015
Book
Paperback/Softback
338 pages
978-1-107-65725-0 (ISBN)
Description
Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.
Reviews / Votes
'Jonathan Kregor's Program Music is easy to read, comprehend, and adjust to any educational level. The Cambridge Introductions to Music series boasts that the books are formulated to appeal to a wide range of students and interested readers; I would agree that this book meets those standards.' Patricia Josette Moss, Notes: Quarterly Journal of the Music Library AssociationMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
115 Printed music items; 26 Tables, black and white; 8 Halftones, unspecified
Dimensions
Height: 244 mm
Width: 170 mm
Thickness: 18 mm
Weight
591 gr
ISBN-13
978-1-107-65725-0 (9781107657250)
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Schweitzer Classification
Other editions
Additional editions

Jonathan Kregor
Program Music
Book
01/2015
Cambridge University Press
€104.10
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Person
Jonathan Kregor is Associate Professor of Musicology at the University of Cincinnati's College-Conservatory of Music. He is the author of Liszt as Transcriber (Cambridge University Press, 2010), winner of the inaugural Alan Walker Book Award from the American Liszt Society, as well as articles and reviews in numerous academic journals. Since 2012 he has been editor of the Journal of the American Liszt Society. His research interests in musical reproduction, confluences of virtuosity and gender, and music and memory have led to critical editions of works by C. P. E. Bach and Clara Schumann.
Content
Introduction; 1. Characters, topics, and the programmatic battlefield; 2. Expression, musical painting, and the concert overture; 3. Berlioz and Schumann on music and literature; 4. Liszt and the symphonic poem; 5. The New German School and beyond; 6. Excursus: Faust; 7. Programmatic paths around the fin de siecle: Mahler and Strauss; 8. Programming the nation; 9. 'Ars Gallica'.