The Server
A Media History from the Present to the Baroque
Published on 19. June 2018
Book
Hardback
456 pages
978-0-300-18081-7 (ISBN)
Description
A cutting-edge media history on a perennially fascinating topic, which attempts to answer the crucial question: Who is in charge, the servant or the master??
Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current-day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant.
Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current-day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant.
Reviews / Votes
"In this rich genealogy of the concept of the server Krajewski blends literary and historical evidence and media studies-brilliantly thought-provoking!"-Ann Blair, author of Too Much To Know: Managing Scholarly Information before the Modern Age-- Ann Blair "The Server is an intellectual romp, a learned and literate account of proxy servers, mailer daemons, and an astonishing parade of historical factotums and underlings that presaged today's client-server logic. This is the history of agential knowing-in short, of media-dressed in livery, waiting on call, at your service."- Lisa Gitelman, New York University -- Lisa Gitelman "Markus Krajewski has rescued from neglect a whole cast of characters-such go-betweens as demons, angels, bookkeepers, and doorkeepers-to show them in all their rollicking mischievousness. This book is at once a literary, social, semantic, and technical history-that is, a media history, and it casts a fresh and strange light on our moment."-John Durham Peters, Yale University
-- John Durham Peters "Descartes once proudly proclaimed that humans should understand themselves as 'masters and owners of nature.' Since then, most philosophers consider knowledge as emerging from rational, cognitive, and discursive structures. Krajewski's stunningly original book finds it elsewhere--upending our common understanding of science, technology, and political philosophy--by showing that knowledge depends of the successful exploitation of the lowliest of the low."- Jimena Canales, author of The Physicist and the Philosopher
-- Jimena Canales "A breathtaking display of erudition, Markus Krajewski's The Server weaves together history, literature, and media theory into a potent critique of the governing metaphors of the digital age."- Daniel Rosenberg, coauthor of Cartographies of Time
-- Daniel Rosenberg
More details
Language
English
Place of publication
United States
Product notice
Cloth over boards
Illustrations
17 b-w illus.
Dimensions
Height: 235 mm
Width: 156 mm
Thickness: 30 mm
Weight
816 gr
ISBN-13
978-0-300-18081-7 (9780300180817)
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Schweitzer Classification
Persons
Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548-1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory.