
Dithyramb in Context
Oxford University Press
Published on 27. June 2013
Book
Hardback
508 pages
978-0-19-957468-1 (ISBN)
Description
The dithyramb, a choral song associated mostly with the god Dionysos, is the longest-surviving form of collective performance in Greek culture, lasting in its shifting shapes from the seventh century BC into late antiquity. Yet it has always stood in the shadow of its more glamorous relations - tragedy, comedy, and the satyr-play. This volume, with contributions from international experts in the field, is the first to look at dithyramb in its entirety, understanding it as an important social and cultural phenomenon of Greek antiquity.
Dithyramb in Context explores the idea that the dithyramb is much more than a complex poetic form: the history of the dithyramb is a history of changing performance cultures which form part of a continuous social process. How the dithyramb functions as a marker, as well as a carrier, of social change throughout Greek antiquity is expressed in themes as various as performance and ritual, poetics and intertextuality, music and dance, and history and politics. Drawing together literary critics, historians of religion, archaeologists, epigraphers, and historians, this volume applies a wide historical and geographical framework, scrutinizing the poetry and, for the first time, giving due weight to the evidence of epigraphy and the visual arts.
Dithyramb in Context explores the idea that the dithyramb is much more than a complex poetic form: the history of the dithyramb is a history of changing performance cultures which form part of a continuous social process. How the dithyramb functions as a marker, as well as a carrier, of social change throughout Greek antiquity is expressed in themes as various as performance and ritual, poetics and intertextuality, music and dance, and history and politics. Drawing together literary critics, historians of religion, archaeologists, epigraphers, and historians, this volume applies a wide historical and geographical framework, scrutinizing the poetry and, for the first time, giving due weight to the evidence of epigraphy and the visual arts.
Reviews / Votes
Important...Its cutting-edge contributions impressively succeed, even if, inevitably, some items appear repeatedly, while interpretations display contributors not singing from one dithyramb sheet. One of numerous strengths is that many different styles of scholarship are applied. * Greek and Roman Musical Studies *More details
Language
English
Place of publication
Oxford
United Kingdom
Target group
College/higher education
For students and scholars of Classics, history of religion, anthropology, performance studies, and modern history
Illustrations
35 in-text illustrations
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 32 mm
Weight
922 gr
ISBN-13
978-0-19-957468-1 (9780199574681)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Barbara Kowalzig is Associate Professor of Classics and History at New York University, and an Associate of the Centre Louis Gernet in Paris. Her research focuses on religion, music and performance, and cultural and economic anthropology in ancient Greece and the Mediterranean. She is the author of Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007; 2011) and has published widely on Greek song-culture, ritual, and drama.
Peter Wilson is William Ritchie Professor of Classics at the University of Sydney and the inaugural Director of the Centre for Classical & Near Eastern Studies of Australia. He is the author of The Athenian Institution of the 'Khoregia': the Chorus, the City and the Stage, Greek Theatre and Festivals: Documentary Studies (2007) and Performance, Reception, Iconography: Studies in Honour of Oliver Taplin (with M. Revermann, 2008).
Peter Wilson is William Ritchie Professor of Classics at the University of Sydney and the inaugural Director of the Centre for Classical & Near Eastern Studies of Australia. He is the author of The Athenian Institution of the 'Khoregia': the Chorus, the City and the Stage, Greek Theatre and Festivals: Documentary Studies (2007) and Performance, Reception, Iconography: Studies in Honour of Oliver Taplin (with M. Revermann, 2008).
Editor
Associate Professor of Classics and History, New York University, and Associate of the former Centre Louis Gernet (now ANHIMA), Paris
William Ritchie Professor of Classics, University of Sydney
Content
ACKNOWLEDGEMENTS; TABLE OF CONTENTS; LIST OF CONTRIBUTORS; LIST OF ILLUSTRATIONS; CONVENTIONS AND ABBREVIATIONS; I SOCIAL AND RELIGIOUS CONTEXTS; II DEFINING AN ELUSIVE PERFORMANCE FORM; III NEW MUSIC; IV TOWARDS A POETICS OF DITHYRAMB; V DITHYRAMB IN THE ROMAN EMPIRE; BIBLIOGRAPHY; INDEX OF PASSAGES; SUBJECT INDEX