COMPANION TO PUBLIC ART

Notes on Contributors x Acknowledgements xviii A Companion to Public Art: Introduction 1 Cher Krause Knight and Harriet F. Senie Part I Traditions 13 Introduction 15 Cher Krause Knight and Harriet F. Senie Artists' Philosophies Memory Works 25 Julian Bonder Public Art? 30 Antony Gormley Natural Phenomena as Public Monuments 34 Alan Sonfist Memorializing the Holocaust 37 James E. Young Chilean Memorials to the Disappeared: Symbolic Reparations and Strategies of Resistance 51 Marisa Lerer Modern Mural Painting in the United States: Shaping Spaces/Shaping Publics 75 Sally Webster and Sylvia Rhor Locating History in Concrete and Bronze: Civic Monuments in Bamako, Mali 93 Mary Jo Arnoldi The Conflation of Heroes and Victims: A New Memorial Paradigm 107 Harriet F. Senie Part II Site 119 Introduction 121 Cher Krause Knight and Harriet F. Senie Artists' Philosophies Give That Site Some Privacy 129 eteam (Hajoe Moderegger and Franziska Lamprecht) The Grandiose Artistic Vision of Caleb Neelon 135 Caleb Neelon Sculptural Showdowns: (Re)Siting and (Mis)Remembering in Chicago 139 Eli Robb In the Streets Where We Live 164 Kate MacNeill Powerlands: Land Art as Retribution and Reclamation 176 Erika Suderburg Waterworks: Politics, Public Art, and the University Campus 191 Grant Kester Augmented Realities: Digital Art in the Public Sphere 205 Christiane Paul Part III Audience 227 Introduction 229 Cher Krause Knight and Harriet F. Senie Artists' Philosophies Practical Strategies: Framing Narratives for Public Pedagogies 239 Suzanne Lacy Public Art in a Post?]Public World: Complicity with Dark Matter 245 Gregory Sholette Audiences Are People, Too: Social Art Practice as Lived Experience 251 Mary Jane Jacob Contextualizing the Public in Social Practice Projects 268 Jennifer McGregor and Renee Piechocki Art Administrators and Audiences 285 Charlotte Cohen and Wendy Feuer Poll the Jury: The Role of the Panelist in Public Art 296 Mary M. Tinti Participatory Public Art Evaluation: Approaches to Researching Audience Response 310 Katherine Gressel Part IV Frames 335 Introduction 337 Cher Krause Knight and Harriet F. Senie Artists' Philosophies The Virtual Sphere Frame: Toward a New Ontology and Epistemology 347 John Craig Freeman The Elusive Frame: "Funny," "Violent," and "Sexy" 353 The Time Frame: Encounters with Ephemeral Public Art 359 Patricia C. Phillips The Memory Frame: Set in Stone, a Dialogue 376 Amanda Douberley and Paul Druecke The Patronage Frame: New York City's Mayors and the Support of Public Art 386 Michele H. Bogart The Process Frame: Vandalism, Removal, Re?]Siting, Destruction 403 Erika Doss The Marketing Frame: Online Corporate Communities and Artistic Intervention 422 Jonathan Wallis The Mass Media Frame: Pranking, Soap Operas, and Public Art 435 Cher Krause Knight Epilogue 457 Cameron Cartiere Index 465