
Pleasure and Change
The Aesthetics of Canon
Frank Kermode(Author)
Oxford University Press Inc
Published on 12. August 2004
Book
Hardback
108 pages
978-0-19-517137-2 (ISBN)
Description
The question of the canon has been the subject of debate in academic circles for over fifteen years. "Pleasure and Change" contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as "Tanner Lectures" at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central notions: pleasure and change. He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. The result is a stimulating and accessible discussion of a highly significant cultural debate.
Reviews / Votes
I found this slight book most impressive and satisfying Charles Rosen, Times Literary Supplement [This book] addresses the heritage and the literary culture of our time with greater subtlety than any other writing I know. Charles Rosen, Times Literary SupplementMore details
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Scholars and students of English Literature
Dimensions
Height: 203 mm
Width: 135 mm
ISBN-13
978-0-19-517137-2 (9780195171372)
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Schweitzer Classification
Other editions
Additional editions

E-Book
08/2004
1st Edition
OUP eBook
€17.49
Available for download

E-Book
08/2004
1st Edition
OUP eBook
€13.49
Available for download
Persons
FRANK KERMODE, Professor Emeritus, University of CambridgeEdited by ROBERT ALTER, Professor of Hebrew and Comparative Literature, University of California, Berkeley