
Literary Britten
Words and Music in Benjamin Britten's Vocal Works
Kate Kennedy(Editor)
Boydell Press
Published on 18. May 2018
Book
Hardback
425 pages
978-1-78327-285-3 (ISBN)
Description
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works.
KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.
Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPE, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works.
KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.
Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPE, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG
Reviews / Votes
This authoritative collection of studies on a composer steeped in literature ancient and modern should engage the interest not just of Britten specialists but of all those fascinated by the theory and practice of setting words to music. * FORUM FOR MODERN LANGUAGE STUDIES * Of particular interest are the essays that illuminate Britten's compositional methods of setting text, methods that have their origin in his intimate interaction with a wide variety of poetic and literary works. . . . Highly recommended. -- M. Neil emeritus * CHOICE * This is a comprehensive book of essays, illustrations and musical examples...It teems with perspectives, engrossing facts and excerpts from scores and will certainly make an informative read for Brittenites of all persuasions - from the amateur enthusiast through to the seasoned academic. * BRITISH MUSIC SOCIETY NEWSLETTER *More details
Series
Language
English
Place of publication
Woodbridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
College/higher education
Product notice
Cloth over boards
Illustrations
22 b/w, 32 line illus.
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 28 mm
Weight
810 gr
ISBN-13
978-1-78327-285-3 (9781783272853)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
05/2018
1st Edition
De Gruyter
€48.99
Available for download
Persons
Justin Vickers is Distinguished Professor of Music at Illinois State University. He is presently completing The Aldeburgh Festival: A History of the Britten and Pears Era, 1948-1986, and with Philip Reed he is editing Britten's Sketchbooks, a forthcoming collection of essays. Vickers co-edited Childhood and the Operatic Imaginary since 1900 with Joy H. Calico, and Elizabeth Maconchy in Context with Lucy Walker. He is also co-editor of Benjamin Britten in Context and Benjamin Britten Studies: Essays on An Inexplicit Art, both with Vicki P. Stroeher. Lucy Walker is a freelance writer, researcher and public speaker on classical music, specialising in music of the twentieth and twenty-first centuries. PHILIP ROSS BULLOCK is Professor of Russian and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College, Oxford. Previously for Boydell,he has published a translation of the correspondencence between Rosa Newmarch and Jean Sibelius, and in 2016, his biography of Tchaikovsky was published in the Critical Lives series by Reaktion.
Editor
Contributions
Contributor
Contributor
Contributor
Contributor
Contributor
Customer
Content
Introduction - Kate Kennedy
Britten and His Librettists: The Composer as Auteur - Mervyn Cooke
Britten, Auden and the 1930s - John Fuller
James, Britten, Piper and the Literary Supernatural: The Changing 'vision of evil' in The Turn of the Screw and Owen Wingrave - Nick Clark
'Thought's Wildernesses': The Development of Britten's Nocturne from Library to Score - Kate Kennedy
'Reading at Intervals': Britten's Romantic Poetry - Brian Young
Britten's Drops: The Lyric into Song - Rebekah Scott
'Without any tune': The Role of the Discursive Shift in Britten's Interpretation of Poetry - Vicki P. Stroeher
Britten and Modern Tragedy - Adrian Poole
Settings from Boyhood - Lucy Walker
'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited - Joanna Bullivant
Choice and Inevitability: The Moral Economy of Peter Grimes - Philip Ross Bullock
Sin, Death, and Love: Britten's Holy Sonnets of John Donne - David Fuller
Britten's Donne Meditation - Justin Vickers
Scenes from Britten's Spring Symphony - Philip Rupprecht
'I have read Billy Budd': The Forster-Britten reading(s) of Melville - Hanna Rochlitz
Miles Must Die: Ideological Uses of 'innocence' in Britten's The Turn of the Screw -
Benjamin Britten and Medieval Drama at Chester: From Abraham and Isaac to 'The Nativity' - Peter Happe
Ambiguous Venice - John Hopkins
Bibliography
Britten and His Librettists: The Composer as Auteur - Mervyn Cooke
Britten, Auden and the 1930s - John Fuller
James, Britten, Piper and the Literary Supernatural: The Changing 'vision of evil' in The Turn of the Screw and Owen Wingrave - Nick Clark
'Thought's Wildernesses': The Development of Britten's Nocturne from Library to Score - Kate Kennedy
'Reading at Intervals': Britten's Romantic Poetry - Brian Young
Britten's Drops: The Lyric into Song - Rebekah Scott
'Without any tune': The Role of the Discursive Shift in Britten's Interpretation of Poetry - Vicki P. Stroeher
Britten and Modern Tragedy - Adrian Poole
Settings from Boyhood - Lucy Walker
'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited - Joanna Bullivant
Choice and Inevitability: The Moral Economy of Peter Grimes - Philip Ross Bullock
Sin, Death, and Love: Britten's Holy Sonnets of John Donne - David Fuller
Britten's Donne Meditation - Justin Vickers
Scenes from Britten's Spring Symphony - Philip Rupprecht
'I have read Billy Budd': The Forster-Britten reading(s) of Melville - Hanna Rochlitz
Miles Must Die: Ideological Uses of 'innocence' in Britten's The Turn of the Screw -
Benjamin Britten and Medieval Drama at Chester: From Abraham and Isaac to 'The Nativity' - Peter Happe
Ambiguous Venice - John Hopkins
Bibliography