
Irish Romanticism, Rhetoric, and Writing
James Kelly(Author)
Cambridge University Press
Will be published approx. on 2. July 2026
Book
Paperback/Softback
250 pages
978-1-009-60579-3 (ISBN)
Description
From 1800 to 1830, Irish writers and orators gave a new visibility and viability to Irish literature in English. This groundbreaking survey of Irish literature of the period provides an enlightening and accessible account covering both well-known authors like Maria Edgeworth, Lady Morgan, Charles Maturin, and Thomas Moore, and a cacophony of less well-known voices. Figures from barristers to politicians, from ideologues to academics, and from hacks to ascetics together created a rowdy and flamboyant debate about the nature of Irish genius. Frequently rejected by British and Irish observers alike as overly florid and suspiciously sentimental, Irish writing in the Romantic period gives a fascinating window into debates about the role and nature of oratory in an increasingly democratising society. This is a landmark study not only in the field of Irish literature, but also in wider histories of rhetoric and the Romantic period.
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Product notice
Paperback (trade)
Illustrations
Worked examples or Exercises
ISBN-13
978-1-009-60579-3 (9781009605793)
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Additional editions

James Kelly
Irish Romanticism, Rhetoric, and Writing
Book
approx. 07/2026
Cambridge University Press
€117.50
Not yet published
Person
Jim Kelly is Senior Lecturer in Literature at the University of Exeter. He has published widely in the field of Irish Romanticism, including previous books Charles Maturin: Authorship, Authenticity, and the Nation (2011) and Ireland and Romanticism: Publics, Nations, and Scenes of Cultural Production (2011).
Content
1. Introduction: figures and feelings in Irish romanticism; 2. 'The spell of sweet persuasion': Sydney Owenson on eloquence and the nation; 3. 'The manner of being': edgeworth, rhetoric, and realism; 4. 'Irish oratory and scotch reviewing': persuasion and conviction in post-napoleonic Britain; 5. The beggar at the door: Thomas Moore and the tone of Irish Romanticism; 6. 'The pollution of my own cathedral': the revelations of Charles Robert Maturin; 7. 'The great, the good, the eloquent, the Irish, the Catholic O'Connell': the Banim brothers and literature in the decade of emancipation; 8. Conclusion: 'clouds of sublimated nonsense'; Irish eloquence during/after history; 9. Bibliography.