Design History Beyond the Canon
Published on 12. January 2023
Book
Paperback/Softback
272 pages
978-1-350-35347-3 (ISBN)
Description
Design History Beyond the Canon subverts hierarchies of taste which have dominated traditional narratives of design history. This book explores a diverse selection of objects, spaces and media, ranging from high design to mass-produced and mass-marketed objects, as well as counter-cultural and sub-cultural material.
The authors' research highlights the often marginalized role of gender and racial identity in the production and consumption of design, the politics which underpins design practice and the role of designed objects as pathways of nostalgia and cultural memory. While focused primarily on North American examples from the early 20th century onwards, this collection also features essays examining European and Soviet design history, as well as the influence of Asia and Africa on Western design practice.
This book is organised in three thematic sections: 'Consumers', 'Intermediaries' and 'Designers'. The first section analyses a range of designed objects and spaces through the experiences and perspectives of users. The second section considers intermediaries from both technology and cultural industries, as well as the hidden labour within the design process itself. The final section focuses on designers from multiple design disciplines including high fashion, industrial design, interior design, graphic design and design history pedagogy.
The essays utilize different research methods and a wide range of theoretical approaches, including feminist theory, critical race theory, spatial theory, material culture studies, science and technology studies and art history. This book brings together the most recent research which stretches beyond the traditional canon and looks to interdisciplinary methodologies to better understand the practice and consumption of design.
The authors' research highlights the often marginalized role of gender and racial identity in the production and consumption of design, the politics which underpins design practice and the role of designed objects as pathways of nostalgia and cultural memory. While focused primarily on North American examples from the early 20th century onwards, this collection also features essays examining European and Soviet design history, as well as the influence of Asia and Africa on Western design practice.
This book is organised in three thematic sections: 'Consumers', 'Intermediaries' and 'Designers'. The first section analyses a range of designed objects and spaces through the experiences and perspectives of users. The second section considers intermediaries from both technology and cultural industries, as well as the hidden labour within the design process itself. The final section focuses on designers from multiple design disciplines including high fashion, industrial design, interior design, graphic design and design history pedagogy.
The essays utilize different research methods and a wide range of theoretical approaches, including feminist theory, critical race theory, spatial theory, material culture studies, science and technology studies and art history. This book brings together the most recent research which stretches beyond the traditional canon and looks to interdisciplinary methodologies to better understand the practice and consumption of design.
Reviews / Votes
[An] exciting anthology ... [It] challenges us to critique the concept of a canon in our teaching narratives and selected research projects, and also to critique the canonical methods that have shaped the field of design history to date. * Design and Culture * Questioning the existing limitations of sole geniuses and conventional art histories, Design History Beyond the Canon is an appealing resource for design academics and students alike. * Journal of Design History * Design History Beyond the Canon would make a great addition to a design library. It is recommended for scholars in the field of design history in the United States who are teaching introductory courses but who also might be developing upper-level curriculum for design students. The essays are also suitable for and accessible to students in the field of design history. * ARLIS/NA Reviews * The chapters within the volume are all of an excellent standard, well researched and well written with new things to say about the subject. * Anne Massey, Visiting Professor of Design at Richmond, the American International University in London, UK * As someone who approaches design as an inherently interdisciplinary practice, I find that this book would be a meaningful addition to a modestly covered subject area in much need of critical discourse. This is an impressive edited volume. * Amir Berbic, Professor and Chair of Graphic Design at the University of Illinois at Chicago, USA * This is a useful, diverse collection and an interesting snap-shot of design history research in the US now. * Harriet Atkinson, Senior Lecturer in Design History at the University of Brighton, UK *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
93 bw illus
Dimensions
Height: 232 mm
Width: 154 mm
Thickness: 18 mm
Weight
408 gr
ISBN-13
978-1-350-35347-3 (9781350353473)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Jennifer Kaufmann-Buhler | Victoria Rose Pass | Christopher Wilson
Design History Beyond the Canon
E-Book
02/2019
1st Edition
Bloomsbury Visual Arts
€28.99
Available for download
Jennifer Kaufmann-Buhler | Victoria Rose Pass | Christopher Wilson
Design History Beyond the Canon
E-Book
02/2019
1st Edition
Bloomsbury Visual Arts
€28.99
Available for download
Persons
Jennifer Kaufmann-Buhler is Associate Professor of Design History at Purdue University, USA. She is a design historian focusing on American interiors, technology, and furniture design of the 20th century. Her research includes an emphasis on studying mundane spaces and objects as a way of examining the role of design in everyday life, looking at the intersection of the social, technological, and political aspects of design. She has published articles in the Journal of Design History and Design and Culture, and is the author of Open Plan: A Design History of the American Office (Bloomsbury, 2021).
Victoria Rose Pass is Assistant Professor of Design and Art History at the Maryland Institute College of Art, USA. She is a specialist in Visual Culture, particularly in areas of design and fashion. Her research considers the history of fashion culture in the 20th century and focuses specifically on issues of gender and race. She co-edited Women's Magazines in Print and New Media (2016).
Christopher Wilson is Lecturer of Architecture and Design Historian at Ringling College of Art and Design, USA. He earned a BA in architecture from Temple University USA, an MA from The Architectural Association, UK, and a Ph.D. from the Middle East Technical University, Turkey. He is the author of Beyond Anitkabir: The Construction and Maintenance of National Memory (2013) and currently serves as Board Chair for the Sarasota Architectural Foundation.
Victoria Rose Pass is Assistant Professor of Design and Art History at the Maryland Institute College of Art, USA. She is a specialist in Visual Culture, particularly in areas of design and fashion. Her research considers the history of fashion culture in the 20th century and focuses specifically on issues of gender and race. She co-edited Women's Magazines in Print and New Media (2016).
Christopher Wilson is Lecturer of Architecture and Design Historian at Ringling College of Art and Design, USA. He earned a BA in architecture from Temple University USA, an MA from The Architectural Association, UK, and a Ph.D. from the Middle East Technical University, Turkey. He is the author of Beyond Anitkabir: The Construction and Maintenance of National Memory (2013) and currently serves as Board Chair for the Sarasota Architectural Foundation.
Content
Foreword: A Pre- and Post-History of "Teaching the History of Modern Design: The Canon and Beyond", Carma Gorman (University of Texas at Austin, USA) and David Raizman (Drexel University, USA)
Introduction, Jennifer Kaufmann-Buhler (Purdue University, USA), Victoria Rose Pass (Maryland Institute College of Art, USA) and Christopher S. Wilson (Ringling College of Art and Design, USA)
Section One: Users/Consumers
1. Kul'ttovary : Bringing Culture into the Soviet Home, Yelena McLane (Florida State University, USA)
2. Diversionary Tactics at Work: Making Meaning Through Misuse, Jennifer Kaufmann-Buhler (Purdue University, USA)
3. Everything Old is New Again: Modernization, Historic Preservation, and the American Home, 1920-1966, Emily Wolf Hetzel (Boston Architectural College, USA)
Section Two: Intermediaries
4. Representing Modern Architecture in The Rockford Files (1974-1980), Christopher S. Wilson (Ringling College of Art and Design, USA)
5. CLOTHES CLOTHES CLOTHES PUNK PUNK PUNK WOMEN WOMEN WOMEN, Maria Elena Buszek (University of Colorado Denver, USA)
6. Using Digital Tools to Work Around the Canon, Matthew Bird (RISD, USA)
Section Three: Designers
7. Confronting Racial Stereotypes in Graphic Design History, Karen L. Carter (Ferris State University, USA)
8. The Mangbetu Coiffure: A Story of Cars, Hats, Branding, and Appropriation, Victoria Rose Pass (Maryland Institute College of Art, USA)
9. Adventure Play in Physical and Virtual Spaces, Gayle L. Goudy (College of Charleston, USA)
10. The Case of William Pahlmann: Challenging the Canon of Modern Design, Marianne Eggler (State University of New York, USA), Erica Morawski (Pratt Institute, USA) and Sara Desvernine Reed (Virginia Commonwealth University, USA)
11. "I Was Not a Woman Designer... I Was a Designer Who Happened to Be a Woman", Russell Flinchum (NC State University, USA)
Epilogue: Beyond the Canon: Building the Case for and Cases for Interdisciplinary Design History, Stephanie E. Vasko (Michigan State University, USA)
Notes on the Contributors
Index
Introduction, Jennifer Kaufmann-Buhler (Purdue University, USA), Victoria Rose Pass (Maryland Institute College of Art, USA) and Christopher S. Wilson (Ringling College of Art and Design, USA)
Section One: Users/Consumers
1. Kul'ttovary : Bringing Culture into the Soviet Home, Yelena McLane (Florida State University, USA)
2. Diversionary Tactics at Work: Making Meaning Through Misuse, Jennifer Kaufmann-Buhler (Purdue University, USA)
3. Everything Old is New Again: Modernization, Historic Preservation, and the American Home, 1920-1966, Emily Wolf Hetzel (Boston Architectural College, USA)
Section Two: Intermediaries
4. Representing Modern Architecture in The Rockford Files (1974-1980), Christopher S. Wilson (Ringling College of Art and Design, USA)
5. CLOTHES CLOTHES CLOTHES PUNK PUNK PUNK WOMEN WOMEN WOMEN, Maria Elena Buszek (University of Colorado Denver, USA)
6. Using Digital Tools to Work Around the Canon, Matthew Bird (RISD, USA)
Section Three: Designers
7. Confronting Racial Stereotypes in Graphic Design History, Karen L. Carter (Ferris State University, USA)
8. The Mangbetu Coiffure: A Story of Cars, Hats, Branding, and Appropriation, Victoria Rose Pass (Maryland Institute College of Art, USA)
9. Adventure Play in Physical and Virtual Spaces, Gayle L. Goudy (College of Charleston, USA)
10. The Case of William Pahlmann: Challenging the Canon of Modern Design, Marianne Eggler (State University of New York, USA), Erica Morawski (Pratt Institute, USA) and Sara Desvernine Reed (Virginia Commonwealth University, USA)
11. "I Was Not a Woman Designer... I Was a Designer Who Happened to Be a Woman", Russell Flinchum (NC State University, USA)
Epilogue: Beyond the Canon: Building the Case for and Cases for Interdisciplinary Design History, Stephanie E. Vasko (Michigan State University, USA)
Notes on the Contributors
Index