
Contemplating Music
Source Readings in the Aesthetics of Music (4 Volumes) Vol. IV: Community of Discourse
Pendragon Press
Published on 18. February 1993
Book
Hardback
268 pages
978-0-945193-16-6 (ISBN)
Description
The first three volumes of Contemplating Music pinpointed the kinds of issues raised in the course of systematic philosophizing about music. Volume IV, Community of Discourse, attempts to bridge philosophical and sociological issues, without presuming to provide a full panorama of the questions raised in sociological inquiries concerning music. The latter, the compilers believe, deserves separate treatment. Rather, throughout Contemplating Music emphasis is placed on opposing intellectual strands, seeking to make clear their relative primacy in different periods and their possible relationships with other ideas. This volume contains the writings of David Hume, Max Weber, J.W.N. Sullivan, Paul Honigsheim, Walter Benjamin, Theodor W. Adorno, W.A. Zhdanov, John H. Mueller, Leonard B. Meyer, Edward A. Lippman, and Stanley Cavell.
More details
Series
Language
English
Place of publication
Hillsdale
United States
Target group
College/higher education
Product notice
Cloth over boards
Dimensions
Height: 235 mm
Width: 159 mm
ISBN-13
978-0-945193-16-6 (9780945193166)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Content
Introduction to Volume 4
Part Eight: Reflection and Projection
Introduction to Part Eight
David Hume
Introduction
from Of the Standard of Taste
Max Weber
Introduction
from The Rational and Social Foundations of Music
J.W.N. Sullivan
Introduction
from Beethoven: His Spritual Development
Paul Honigsheim
Introduction
from Music and Society
Walter Benjamin
Introduction
from Der Begriff der Kunstkritik
Theodor W. Adorno
Introduction
from Philosophie der neuen Musik
W.A. Zhdanov
Introduction
from Essays on Literature, Philosophy and Music
John H. Mueller
Introduction
from The American Symphony Orchestra
Leonard B. Meyer
Introduction
from Music, The Arts and Ideas
Edward A. Lippman
Introduction
from A Humanistic Philosophy of Music
Stanley Cavell
Introduction
from Must We Mean What We Say
Afterword
On Contemplating Music
Part Eight: Reflection and Projection
Introduction to Part Eight
David Hume
Introduction
from Of the Standard of Taste
Max Weber
Introduction
from The Rational and Social Foundations of Music
J.W.N. Sullivan
Introduction
from Beethoven: His Spritual Development
Paul Honigsheim
Introduction
from Music and Society
Walter Benjamin
Introduction
from Der Begriff der Kunstkritik
Theodor W. Adorno
Introduction
from Philosophie der neuen Musik
W.A. Zhdanov
Introduction
from Essays on Literature, Philosophy and Music
John H. Mueller
Introduction
from The American Symphony Orchestra
Leonard B. Meyer
Introduction
from Music, The Arts and Ideas
Edward A. Lippman
Introduction
from A Humanistic Philosophy of Music
Stanley Cavell
Introduction
from Must We Mean What We Say
Afterword
On Contemplating Music